The flashes of lightning and the peals of thunder seemed to me to be by no means extravagant accompaniments to this grim scene (as it appeared in my eyes). I have certainly known far less impressive scenes on the stage thought worthy of the illumination of lightning and the punctuation of thunder claps. This familiar treatment of the subject of the coming of the grim figure with the scythe prevails in every direction. A friend of mine had a like experience in a cottage in another part of the country. The man of the house--he was a farm labourer--was about to emigrate to Canada, and was anxious to get as good a price as possible for some pieces of old china in his possession, and my friend had called to see them by invitation. He was brought into a bedroom where the plates were to be seen on a dresser; and by way of making conversation on entering the room, he asked the man when he thought of leaving England. “Oh, very shortly now,” he replied. “Just as soon as feyther there dies” (jerking his head in the direction of a bed), “and he's far gone--he's dying fast--Doctor Jaffray gives us great hope that a week'll finish'un.” He then went on to talk about the china, explaining that three of the pieces had been brought by his grandmother from the Manor House, where she had been still-room maid for twenty-six years. “Twenty-eight years--twenty-eight years, Amos,” came a correcting falsetto from the bed. “You know nowt o' the matter,” cried the son. “This is no business o' yours. We doan't want none o' your jaw. Go on wi' your dying.” CHAPTER TWO.--OUTSIDE THE VILLAGE I.--THE GENERAL