The Lighter Side of English LifeMoore, Frank Frankfort
General
The Lighter Side of English Life
Moore, Frank Frankfort
England -- Social life and customs; England -- Social life and customs -- Humor
“Four pounds--going at four pounds,” came the voice of the auctioneer.
“If there's no advance--going at four pounds--going--for the last
time--five hundred--six hundred--seven hundred--a thousand--fifteen
hundred--two thousand--guineas--five hundred--guineas--three
thousand--guineas--going for three thousand guineas, ladies and
gentle-men, it's giving the picture away that I am; but still the times
are bad. Going at three thousand guineas--going--going--Mr. Agnew.”
The hammer fell, and everyone was laughing except the Irish auctioneer
and my dealer.
“Perhaps our dashing friend will give me an advance of thirty shillings
on the next lot--Ralph, first Earl of--------,” said the former,
glancing toward the latter with an insinuating smile.
The latter forced his way toward the nearest door, leaving Lot 132 to be
started by a London dealer at a thousand pounds.
My disappointed friend had never been at a great sale in his life, and
he had certainly not suspected that the gentlemen wearing the silk
hats were like himself, dealers--only on perhaps a somewhat more heroic
scale.
IV.--HUMOURS OF THE ROSTRUM
The humours of the auction-room deserve to be dealt with more fully
than is in my power to treat them. Though an auctioneer's fun is
sometimes a little forced, its aim being to keep his visitors in a good
temper with him--for he knows that every time that he knocks something
down to one person he hurts the feelings of the runner-up--still,
now and again, something occurs to call for a witty comment, and
occasionally a ludicrous incident may brighten up the monotonous
reiteration of slowly increasing sums of money. I have heard that long
ago most lords of the rostrum were what used to be called “characters,”
and got on the friendliest terms with the people on the floor. But now I
fear that there is no time for such amenities, though I heard one of the
profession say, announcing a new “lot”--“Hallo, what have we here? 'Lot
67--Adams Bed.' Ladies and gentlemen, there's a genuine antiquity for
you--Adam's Bed! I shouldn't wonder if the quilt was worked by Eve
herself, though I believe she was better at aprons.”
The auctioneer as a rule, however, hurries from lot to lot without
wasting time referring to the charm of any one in particular. I cannot
understand how they avoid doing so sometimes when a beautiful work of
art is brought to the front.
Public-domain text, read in full here on John Shaqi.
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