First of all, the members of that once despised race, the teachers of
Science. Formerly these maintained a servile and apologetic existence,
supervising a turbulent collection of young gentlemen whose sole
appreciation of this branch of knowledge was derived from the
unrivalled opportunities which its pursuit afforded for the creation of
horrible stenches and untimely explosions. Now they have uprisen, and,
asseverating that classical education is a pricked bubble, ask boldly
for expensive apparatus and a larger tract of space in the time-table.
Then the parent. He has got quite out of hand lately. In days past
things were different. Usually an old public-school boy himself, and
proudly conscious that Classics had made him "what he was," the parent
deferred entirely to the Headmaster's judgment, and entrusted his son to
his care without question or stipulation. But a new race of parents has
arisen, men who avow, modestly but firmly, that they have been made not
by the Classics but by themselves, and who demand, with a great
assumption of you-can't-put-_me_-off-with-last-season's-goods, that
their offspring shall be taught something up-to-date--something which
will be "useful" in an office.
Again, there is our old friend the Man in the Street, who, through the
medium of his favourite mouthpiece, the halfpenny press, asks the
Headmaster very sternly what he means by turning out "scholars" who are
incapable of writing an invoice in commercial Spanish, and to whom
double entry is Double Dutch.
And lastly there is the boy himself, whose utter loathing and horror of
education as a whole has not blinded him to the fact that the
cultivation of some branches thereof calls for considerably less effort
than that of others, and who accordingly occupies the greater part of
his weekly letter home with fervent requests to his parents to permit
him to drop Classics and take up modern languages or science.
The united agitations of this incongruous band have called into
existence the Modern Side--Delilah Number One. Now for Number Two.
Public-domain text, read in full here on John Shaqi.
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