The Lily and the Totem; or, The Huguenots in Florida — John Shaqi
The Lily and the Totem; or, The Huguenots in FloridaSimms, William Gilmore
History
The Lily and the Totem; or, The Huguenots in Florida
Simms, William Gilmore
Florida -- History -- Huguenot colony, 1562-1565 -- Fiction
The French instantly closed around their companion. They had not put
aside their weapons, and they now prepared themselves to encounter the
worst. The aspect of the danger was threatening in the last degree. The
Iawas were boiling with sacred fury. They were the true rulers of their
people. Their will was sovereign over the popular moods. They demanded,
with violent outcry, the blood of the individual by whom their sacred
retreats had been violated, and their shekinah polluted by vulgar and
profane presence. They demanded the blood of _all_ the Frenchmen, as
participating in the crime. They called upon Audusta to assert his
own privileges and theirs. They appealed to the people in a style of
phrenzied eloquence, the effects of which were soon visible in the
inflamed features and wild action of the more youthful warriors.
Already were these to be seen slapping their sides, tossing their hands
in air, and, with loud shrieks, lashing themselves into a fury like
that which enflamed their prophets. King Audusta looked confounded.
The Frenchmen were his guests. He had invited them to partake of his
hospitality, and to enjoy the rites of his religion. He was in some sort
pledged for their safety, though one of them had violated the conditions
of their coming. His own feelings revolted at giving any sanction for
the assault, yet he appeared unable or unwilling to resist the clamors
of the priesthood. But _he_ also demanded, though with evident
reluctance, the blood of the offender. He was not violent, though
urgent, in this demand. He showed indignation rather than hostility;
and he gave Albert to understand that in no way could the people or the
priesthood be appeased, unless by the sacrifice of the guilty person.
Public-domain text, read in full here on John Shaqi.
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