The Lion of Janina; Or, The Last Days of the Janissaries: A Turkish NovelJókai, Mór
History
The Lion of Janina; Or, The Last Days of the Janissaries: A Turkish Novel
Jókai, Mór
Ali Pasa, Tepedelenli, 1744?-1822 -- Fiction; Janizaries -- Fiction; Turkey -- History -- Mahmud II, 1808-1839 -- Fiction
Man rarely visits these parts. And, indeed, why should he come, or
what should he seek there? There is absolutely nothing in the whole
region that is dear to the heart of man. Even the wild beast makes no
abiding lair for himself in that valley. Only now and then, in the
burning days of summer, a lion of the wilderness, flying from before
the sultry heat, may, perchance, come there to devour his captured
prey, and then, when he is well gorged, pursue his way, wrangling as
he goes with the echo of his own roar.
Solitary travellers of an enterprising turn of mind do occasionally
visit this dreary wilderness; but so crushing an impression does it
make on all who have the courage to gaze upon it, that they scarce
wait to explore the historic ground, but hasten from it as fast as
their legs can carry them.
What is there to see there, after all? A battered-down wall, as to
which none can say who built it, or why it was built, or who destroyed
it. A tall stone column, the column of the worthy Simon Stylites, who
piled it up, stone upon stone, year after year, with his own hands,
being wont to sit there for days together with arms extended in the
shape of a cross, bowing himself thousands and thousands of times a
day till his head touched his feet. The northern and southern sides of
the valley are cut off from the rest of the world by gigantic masses
of rocks as steep and solid as the bastions of a fortress; only
towards their summit, at an elevation of some three to four hundred
yards, is a little strip of green vegetation visible.
Darkly visible at intervals in this long and steep rocky wall are the
mouths of a series of caverns, of various sizes, all close together.
It looks as if some monstrous antediluvian race had cut two or three
stories of doors and windows into the living rock, in order to make
themselves palaces to dwell in.
The walls of these caverns are so rugged, their bases are so
irregular, that it is scarcely conceivable that they could be the
work of human hands, unless, indeed, the arched concavities of the
chasms and the regular consecutiveness of the series may be assumed to
bear witness to the wonder-working power of finite forces.
Three of the entrances to these caverns have all the loftiness of
triumphal arches; nay, one of them, carved in the base of the rock, is
so exceptionally vast that it rather resembles the nave of a huge
church, and is said to penetrate the whole mountain to the sea beyond.
It is said that if any one has the courage to attempt the journey, he
will discover mysterious hieroglyphics carved on the walls. Who could
have been the authors of this unknown runic language? The Chaldeans
perhaps, or the worshippers of Mithra. What hidden secrets, what human
memorials are enshrined in these symbols? That question must remain
forever without an answer.
Public-domain text, read in full here on John Shaqi.
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