Beverley had remained on the threshold of the next room. Now she
retreated into it. O'Reilly followed; but at the door he turned.
"Good-bye," he said to Clo.
"Good-bye," she echoed. "And thank you again--for everything."
She had more to thank him for than he knew--the contents of her tightly
clutched hand.
XII
THE HORIZONTAL PANEL
Following Mrs. Sands, O'Reilly left the door between the two rooms open;
but Beverley stepped quickly back and closed it.
"She's grand, the darling!" thought Clo. "Trust her to forget nothing.
Her shutting that door proves how she counts on me."
The girl was deadly tired, and her head ached, yet she struggled up as
the door clicked. O'Reilly had brought in her hat and dropped it on a
table. There was no hat-pin, but Clo crushed the soft toque down over
her masses of red hair, and hoped she was not untidy enough to be
conspicuous. Unsteadily she tottered to another door--the door that led
into the corridor. This faced a narrower passage to the kitchen and
domestic offices of the flat. Clo would have to take that way because,
if she ventured into the lift and showed herself in the hall below, the
porter might take alarm. He might fear that Mrs. Sands' protegee was
trying to escape for some sly purpose of her own, and refuse to let her
go till he had telephoned upstairs.
In a quaint outside pocket of her new frock Clo had put the purse given
her by Beverley. Through her adventures she had remembered to make sure
occasionally that it had not dropped out. Now she opened the purse,
selecting two ten-dollar bills and two of five dollars.
"That ought to do for 'em all," she said, "even if the lot are at home."
And, money in hand, she ventured to the kitchen door. Only the chef and
a woman assistant were at work.
"I'm Clo Riley, the girl Mrs. Sands has been good to," she eagerly
explained. "I'm well again, and I have to go out. Mrs. Sands has a
visitor, and I don't like to disturb them. Will you let me down your
way?" So speaking she laid a ten-dollar bill and a five-dollar bill side
by side on a table. She made no reference to the money, nor any gesture
indicating it; nor did the others appear to see it.
The chef escorted her in silence to the servants' elevator. There was a
button to push, and down the girl went, rejoiced at passing another
stage of her journey. Five minutes more, and she was in a taxi, tearing
back to the Dietz Hotel.
This time she marched boldly to a lift in a long row of half a dozen.
"Fifteenth floor, please," she said, as if she owned the hotel; and was
taken up without question. "Thanks to my swell clothes!" she thought.
"Not far would I get in this place if I had on my old black!"
Public-domain text, read in full here on John Shaqi.
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