The Literary Remains of Samuel Taylor Coleridge, Volume 1Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 1
Coleridge, Samuel Taylor
Literature -- History and criticism
I must now turn to our great monarch, Alfred, one of the most august
characters that any age has ever produced; and when I picture him after
the toils of government and the dangers of battle, seated by a solitary
lamp, translating the holy scriptures into the Saxon tongue,--when I
reflect on his moderation in success, on his fortitude and perseverance
in difficulty and defeat, and on the wisdom and extensive nature of his
legislation, I am really at a loss which part of this great man's
character most to admire. Yet above all, I see the grandeur, the
freedom, the mildness, the domestic unity, the universal character of
the middle ages condensed into Alfred's glorious institution of the
trial by jury. I gaze upon it as the immortal symbol of that age;--an
age called indeed dark;--but how could that age be considered dark,
which solved the difficult problem of universal liberty, freed man from
the shackles of tyranny, and subjected his actions to the decision of
twelve of his fellow countrymen? The liberty of the Greeks was a
phenomenon, a meteor, which blazed for a short time, and then sank into
eternal darkness. It was a combination of most opposite materials,
slavery and liberty. Such can neither be happy nor lasting. The Goths on
the other hand said, You shall be our Emperor; but we must be Princes on
our own estates, and over them you shall have no power! The Vassals said
to their Prince, We will serve you in your wars, and defend your castle;
but we must have liberty in our own circle, our cottage, our cattle, our
proportion of land. The Cities said, We acknowledge you for our Emperor;
but we must have our walls and our strong holds, and be governed by our
own laws. Thus all combined, yet all were separate; all served, yet all
were free. Such a government could not exist in a dark age. Our
ancestors may not indeed have been deep in the metaphysics of the
schools; they may not have shone in the fine arts; but much knowledge of
human nature, much practical wisdom must have existed amongst them, when
this admirable constitution was formed; and I believe it is a decided
truth, though certainly an awful lesson, that nations are not the most
happy at the time when literature and the arts flourish the most among
them.
The translations I had promised in my syllabus I shall defer to the end
of the course, when I shall give a single lecture of recitations
illustrative of the different ages of poetry. There is one Northern tale
I will relate, as it is one from which Shakspeare derived that strongly
marked and extraordinary scene between Richard III. and the Lady Anne.
It may not be equal to that in strength and genius, but it is,
undoubtedly, superior in decorum and delicacy.
Public-domain text, read in full here on John Shaqi.
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