The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
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The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
But let the frame of things disjoint, both the worlds suffer,
Ere we will eat our meal in fear, and sleep
In the affliction of these terrible dreams
That shake us nightly.
Ever and ever mistaking the anguish of conscience for fears of
selfishness, and thus as a punishment of that selfishness, plunging
still deeper in guilt and ruin.
'Ib.' Macbeth's speech:
Be innocent of the knowledge, dearest chuck,
Till thou applaud the deed.
This is Macbeth's sympathy with his own feelings, and his mistaking his
wife's opposite state.
'Ib.' sc. 4.
'Macb'. It will have blood, they say; blood will have blood:
Stones have been known to move, and trees to speak;
Augurs, and understood relations, have
By magot-pies, and choughs, and rooks, brought forth
The secret'st man of blood.
The deed is done; but Macbeth receives no comfort,--no additional
security. He has by guilt torn himself live-asunder from nature, and is,
therefore, himself in a preter-natural state: no wonder, then, that he
is inclined to superstition, and faith in the unknown of signs and
tokens, and super-human agencies.
Act iv. sc. 1.
'Len'. 'Tis two or three, my lord, that bring you word,
Macduff is fled to England.
'Macb'. Fled to England?
The acme of the avenging conscience.
'Ib.' sc. 2. This scene, dreadful as it is, is still a relief, because a
variety, because domestic, and therefore soothing, as associated with
the only real pleasures of life. The conversation between Lady Macduff
and her child heightens the pathos, and is preparatory for the deep
tragedy of their assassination. Shakspeare's fondness for children is
every where shown;--in Prince Arthur, in King John; in the sweet scene
in the Winter's Tale between Hermione and her son; nay, even in honest
Evans's examination of Mrs. Page's schoolboy. To the objection that
Shakspeare wounds the moral sense by the unsubdued, undisguised
description of the most hateful atrocity--that he tears the feelings
without mercy, and even outrages the eye itself with scenes of
insupportable horror--I, omitting Titus Andronicus, as not genuine, and
excepting the scene of Gloster's blinding in Lear, answer boldly in the
name of Shakspeare, not guilty.
'Ib.' sc. 3. Malcolm's speech:
Better Macbeth,
Than such a one to reign.
The moral is--the dreadful effects even on the best minds of the
soul--sickening sense of insecurity.
Public-domain text, read in full here on John Shaqi.
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