The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
'Ib.' How admirably Macduff's grief is in harmony with the whole play!
It rends, not dissolves, the heart. 'The tune of it goes manly.' Thus is
Shakspeare always master of himself and of his subject,--a genuine
Proteus:--we see all things in him, as images in a calm lake, most
distinct, most accurate,--only more splendid, more glorified. This is
correctness in the only philosophical sense. But he requires your
sympathy and your submission; you must have that recipiency of moral
impression without which the purposes and ends of the drama would be
frustrated, and the absence of which demonstrates an utter want of all
imagination, a deadness to that necessary pleasure of being
innocently--shall I say, deluded?--or rather, drawn away from ourselves
to the music of noblest thought in harmonious sounds. Happy he, who not
only in the public theatre, but in the labours of a profession, and
round the light of his own hearth, still carries a heart so
pleasure-fraught!
Alas for Macbeth! Now all is inward with him; he has no more prudential
prospective reasonings. His wife, the only being who could have had any
seat in his affections, dies; he puts on despondency, the final
heart-armour of the wretched, and would fain think every thing shadowy
and unsubstantial, as indeed all things are to those who cannot regard
them as symbols of goodness:--
Out, out, brief candle!
Life's but a walking shadow; a poor player,
That struts and frets his hour upon the stage,
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
NOTES ON THE WINTER'S TALE.
Although, on the whole, this play is exquisitely respondent to its
title, and even in the fault I am about to mention, still a winter's
tale; yet it seems a mere indolence of the great bard not to have
provided in the oracular response (Act ii. sc. 2.) some ground for
Hermione's seeming death and fifteen years voluntary concealment. This
might have been easily effected by some obscure sentence of the oracle,
as for example:--
'Nor shall he ever recover an heir, if he have a wife before that
recovery.'
Public-domain text, read in full here on John Shaqi.
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