The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
lastly from all these,--namely, the mysteries, the sacerdotal religion,
their philosophy before and after Socrates, the stage, the Homeric
poetry and the legendary belief of the people, and from the sources and
productive causes in the derivation and confluence of the tribes that
finally shaped themselves into a nation of Greeks--to give a juster and
more distinct view of this singular people, and of the place which they
occupied in the history of the world, and the great scheme of divine
providence, than I have hitherto seen,--or rather let me say, than it
appears to me possible to give by any other process.
The present Essay, however, I devote to the purpose of removing, or at
least invalidating, one objection that I may reasonably anticipate, and
which may be conveyed in the following question:--What proof have you of
the fact of any connection between the Greek drama, and either the
mysteries, or the philosophy, of Greece? What proof that it was the
office of the tragic poet, under a disguise of the sacerdotal religion,
mixed with the legendary or popular belief, to reveal as much of the
mysteries interpreted by philosophy, as would counteract the
demoralizing effects of the state religion, without compromising the
tranquillity of the state itself, or weakening that paramount reverence,
without which a republic, (such I mean, as the republics of ancient
Greece were) could not exist?
I know no better way in which I can reply to this objection, than by
giving, as my proof and instance, the Prometheus of Æschylus,
accompanied with an exposition of what I believe to be the intention of
the poet, and the mythic import of the work; of which it may be truly
said, that it is more properly tragedy itself in the plenitude of the
idea, than a particular tragic poem; and as a preface to this
exposition, and for the twin purpose of rendering it intelligible, and
of explaining its connexion with the whole scheme of my Essays, I
entreat permission to insert a quotation from a work of my own, which
has indeed been in print for many years, but which few of my auditors
will probably have heard of, and still fewer, if any, have read.
Public-domain text, read in full here on John Shaqi.
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