The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
"As the representative of the youth and approaching manhood of the
human intellect we have ancient Greece, from Orpheus, Linus, Musaeus,
and the other mythological bards, or, perhaps, the brotherhoods
impersonated under those names, to the time when the republics lost
their independence, and their learned men sank into copyists of, and
commentators on, the works of their forefathers. That we include these
as educated under a distinct providential, though not miraculous,
dispensation, will surprise no one, who reflects, that in whatever has
a permanent operation on the destinies and intellectual condition of
mankind at large,--that in all which has been manifestly employed as a
co-agent in the mightiest revolution of the moral world, the
propagation of the Gospel, and in the intellectual progress of mankind
in the restoration of philosophy, science, and the ingenuous arts--it
were irreligion not to acknowledge the hand of divine providence. The
periods, too, join on to each other. The earliest Greeks took up the
religious and lyrical poetry of the Hebrews; and the schools of the
prophets were, however partially and imperfectly, represented by the
mysteries derived through the corrupt channel of the Phoenicians. With
these secret schools of physiological theology, the mythical poets
were doubtless in connexion, and it was these schools which prevented
polytheism from producing all its natural barbarizing effects. The
mysteries and the mythical hymns and pæans shaped themselves gradually
into epic poetry and history on the one hand, and into the ethical
tragedy and philosophy on the other. Under their protection, and that
of a youthful liberty, secretly controlled by a species of internal
theocracy, the sciences, and the sterner kinds of the fine arts, that
is, architecture and statuary, grew up together, followed, indeed, by
painting, but a statuesque, and austerely idealized, painting, which
did not degenerate into mere copies of the sense, till the process for
which Greece existed had been completed."[3]
The Greeks alone brought forth philosophy in the proper and
contra-distinguishable sense of the term, which we may compare to the
coronation medal with its symbolic characters, as contrasted with the
coins, issued under the same sovereign, current in the market. In the
primary sense, philosophy had for its aim and proper subject the [Greek
(transliterated): ta peri arch_on], 'de originibus rerum', as far as man
proposes to discover the same in and by the pure reason alone. This, I
say, was the offspring of Greece, and elsewhere adopted only. The
predisposition appears in their earliest poetry.
Public-domain text, read in full here on John Shaqi.
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