The Literary Remains of Samuel Taylor Coleridge, Volume 2Coleridge, Samuel Taylor
History
The Literary Remains of Samuel Taylor Coleridge, Volume 2
Coleridge, Samuel Taylor
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
German 'belle lettrists', and the last fifteen years in addition, far
more intensely in the analysis of the laws of life and reason as they
exist in man,--and that upon every step I have made forward in taste, in
acquisition of facts from history or my own observation, and in
knowledge of the different laws of being and their apparent exceptions,
from accidental collision of disturbing forces,--that at every new
accession of information, after every successful exercise of meditation,
and every fresh presentation of experience, I have unfailingly
discovered a proportionate increase of wisdom and intuition in
Shakspeare;--when I know this, and know too, that by a conceivable and
possible, though hardly to be expected, arrangement of the British
theatres, not all, indeed, but a large, a very large, proportion of this
indefinite all--(round which no comprehension has yet drawn the line of
circumscription, so as to say to itself, 'I have seen the whole')--might
be sent into the heads and hearts--into the very souls of the mass of
mankind, to whom, except by this living comment and interpretation, it
must remain for ever a sealed volume, a deep well without a wheel or a
windlass;--it seems to me a pardonable enthusiasm to steal away from
sober likelihood, and share in so rich a feast in the faery world of
possibility! Yet even in the grave cheerfulness of a circumspect hope,
much, very much, might be done; enough, assuredly, to furnish a kind and
strenuous nature with ample motives for the attempt to effect what may
be effected.
[Footnote: 'Advancement of Learning, book 1. 'sub fine.']
[Footnote 2: Confestim Peneos adest, viridantia Tempe, Tempe, quae
cingunt sylvae superimpendentes. 'Epith. Pel. et. Th.' 286.]
SHAKSPEARE, A POET GENERALLY.
Public-domain text, read in full here on John Shaqi.
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