England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction; Short stories, English
Till this moment he had spoken only the truth. His eyes took in the
sunny lawn beyond the yew shadow, the still house: the whir of the
lawn-mower was music at once pastoral and patriotic. He heard the break
in her voice; he saw the girlish grace of her thin shape, the pathetic
charm of her wistful mouth. And he lied with a good heart.
"My dear," he said, with a tremble in his voice that sounded like
passion, "my dear--it's not for that--I love you, Dolly--I think I must
have loved you all my life!"
And at the light that leaped into her eyes he suddenly felt that this
lie was nearer truth than he had known.
"I love you, dear--I love you," he repeated, and the words were oddly
pleasant to say. "Won't you love me a little, too?"
She covered her face with her hands. She could no more have doubted him
than she could have doubted the God to whom she had prayed night and
morning for all these lonely years.
"Love you a little?" she said softly. "Ah! Robert, don't you know that
I've loved you all my life?"
So a lie won what truth could not gain. And the odd thing is that the
lie has now grown quite true, and he really believes that he has always
loved her, just as he certainly loves her now. For some lies come true
in the telling. But most of them do not, and it is not wise to try
experiments.
THE GIRL WITH THE GUITAR
THE last strains of the ill-treated, ill-fated "Intermezzo" had died
away, and after them had died away also the rumbling of the wheels of
the murderous barrel-organ that had so gaily executed that, along with
the nine other tunes of its repertory, to the admiration of the
housemaid at the window of the house opposite, and the crowing delight
of the two babies next door.
The young man drew a deep breath of relief, and lighted the wax candles
in the solid silver candlesticks on his writing-table, for now the late
summer dusk was falling, and that organ, please Heaven, made full the
measure of the day's appointed torture. There had been five organs since
dinner--and seven in the afternoon--one and all urgently thumping their
heavy melodies into his brain, to the confusion of the thoughts that
waited there, eager to marshal themselves, orderly and firm, into the
phalanx of an article on "The Decadence of Criticism."
He filled his pipe, drew paper towards him, dipped his pen, and wrote
his title on the blank page. The silence came round him, soothing as a
beloved presence, the scent of the may bushes in the suburban gardens
stole in pleasantly through the open windows. After all, it was a "quiet
neighbourhood" as the advertisement had said--at any rate, in the
evening: and in the evening a man's best efforts--
_Thrum_, tum, tum--_Thrum_, tum, tum came the defiant strumming of a
guitar close to the window. He sprang to his feet--this was, indeed, too
much! But before he could draw back the curtains and express himself to
the intruder, the humming of the guitar was dominated by the first words
of a song--
Public-domain text, read in full here on John Shaqi.
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