The Literature of Arabia: With Critical and Biographical Sketches by Epiphanius Wilson
General
The Literature of Arabia: With Critical and Biographical Sketches by Epiphanius Wilson
Arabic literature
Save where the rains have wash'd the gathered sand
And bared the scanty fragments to our view,
(As the dust sprinkled on a punctur'd hand
Bids the faint tints resume their azure hue).
No mossy record of those once lov'd seats
Points out the mansion to inquiring eyes;
No tottering wall, in echoing sounds, repeats
Our mournful questions and our bursting sighs.
Yet, midst those ruin'd heaps, that naked plain,
Can faithful memory former scenes restore,
Recall the busy throng, the jocund train,
And picture all that charm'd us there before.
Ne'e shall my heart the fatal morn forget
That bore the fair ones from these seats so dear--
I see, I see the crowding litters yet,
And yet the tent-poles rattle in my ear.
I see the maids with timid steps descend,
The streamers wave in all their painted pride,
The floating curtains every fold extend,
And vainly strive the charms within to hide.
What graceful forms those envious folds enclose!
What melting glances thro' those curtains play!
Sure Weira's antelopes, or Tudah's roes
Thro' yonder veils their sportive young survey!
The band mov'd on--to trace their steps I strove,
I saw them urge the camel's hastening flight,
Till the white vapor, like a rising grove,
Snatch'd them forever from my aching sight.
Nor since that morn have I Nawara seen,
The bands are burst which held us once so fast,
Memory but tells me that such things have been,
And sad Reflection adds, that they are past.
_Lebid Ben Rabiat Alamary_.
[1] The author of this poem was a native of Yemen. He was contemporary
with Mohammed and was already celebrated as a poet when the prophet
began to promulgate his doctrines. Lebid embraced Islamism and was
one of the most aggressive helpers in its establishment. He fixed
his abode in the city of Cufa, where he died at a very advanced age.
This elegy, as is evident, was written previous to Lebid's conversion
to Islamism. Its subject is one that must be ever interesting to
the feeling mind--the return of a person after a long absence to
the place of his birth--in fact it is the Arabian "Deserted Village."
THE TOMB OF MANO
Friends of my heart, who share my sighs!
Go seek the turf where Mano lies,
And woo the dewy clouds of spring,
To sweep it with prolific wing.
Within that cell, beneath that heap,
Friendship and Truth and Honor sleep,
Beneficence, that used to clasp
The world within her ample grasp.
There rests entomb'd--of thought bereft--
For were one conscious atom left
New bliss, new kindness to display,
'Twould burst the grave, and seek the day.
But tho' in dust thy relics lie,
Thy virtues, Mano, ne'er shall die;
Tho' Nile's full stream be seen no more,
That spread his waves from shore to shore,
Still in the verdure of the plain
His vivifying smiles remain.
_Hassan Alasady_.
TOMB OF SAYID[2]
Public-domain text, read in full here on John Shaqi.
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