The literature of kissing : $b gleaned from history, poetry, fiction, and anecdoteBombaugh, Charles C. (Charles Carroll)
History
The literature of kissing : $b gleaned from history, poetry, fiction, and anecdote
Bombaugh, Charles C. (Charles Carroll)
Kissing
Finally the matter was compromised by kissing the hand, the proud
Castilian promptly acknowledging the requirement of a common courtesy:
“For through the South the custom still commands
The gentleman to kiss the lady’s hands.”
Sir R. K. Porter, the Eastern traveller, tells the readers of his
interesting sketches of a Persian who was not only not so fastidious,
but ludicrously otherwise in the depth of his self-abasement. Says Sir
Robert, “I took a lancet out of my pocket-book, put it into his hands,
and told him it was for himself. He looked at me, and at it, with his
mouth open, as if he hardly comprehended the possibility of my parting
with such a jewel. But when I repeated the words, ‘It is yours,’ he threw
himself on the ground, kissed my knees and my feet, and wept with a joy
that stifled his expression of thanks.”
ALL-EMBRACING INCLUSION.
In that old-fashioned youthful game, “Kiss in the Ring,” a favorite
manœuvre of some of the boys was to keep out of a place in the ring till
they had kissed all the pretty girls in succession. Those who grow up
with the same fondness for osculatory attentions would probably like
the custom in some parts of Germany, which requires a young man who is
engaged to a girl to salute, upon making his adieu for the evening,
the whole of the family, beginning with the mother. Thus, in a family
circle embracing half a dozen girls, each having a lover, no less
than forty-eight kisses would have to be given on the occasion of a
united meeting; and when we consider that each lover would give his own
sweetheart ten times as many kisses as he gave her sisters, the grand
total would outnumber a hundred!
A KISS IN THE DARK.
In Buckstone’s very amusing farce, “A Kiss in the Dark,” the jealous
Pettibone tries a foolish stratagem in order to confirm his unjust
suspicions of Mrs. P.’s constancy:
_Frank_ (_reading note_). “Continue your attentions.” Certainly, as you
request it. (_Draws close to her; PETTIBONE again darts in; they retreat
as before._)
_Pettibone._ Shan’t go out at all—I tell you I shan’t go out at
all—to-morrow will do. (_Sits in centre._) You’ve done as I bid you, I
see—eh?—ah, ah, ah! (_Aside._) I think the last time I left the room he
kissed her! I could almost swear I heard the squeak of a little kiss.
Oh, if I could be convinced! I’ll conceal my feelings till I’m _quite_
satisfied—_quite_ sure; and then——Betsey, dear, if that note you were
writing just now is for any one in the city, I’ll leave it for you.
_Mrs. P._ No, no, thank you, it is not worth the trouble, and you
wouldn’t be so mean as to defraud the revenue of a penny.
_Pet._ How they look at each other! I’ve a great mind to jump up and
tell ’em both how they’ve deceived me. No, I won’t. I’ll set a trap for
them—show ’em what they are: ah! a good thought—I have it.
_Mrs. P._ Selim, what’s the matter with you, this evening?
Public-domain text, read in full here on John Shaqi.
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