The literature of kissing : $b gleaned from history, poetry, fiction, and anecdoteBombaugh, Charles C. (Charles Carroll)
History
The literature of kissing : $b gleaned from history, poetry, fiction, and anecdote
Bombaugh, Charles C. (Charles Carroll)
Kissing
“My soul leaped up beneath thy timid kiss,
What then to me were groans,
Or pain, or death? Earth was a round of bliss,
I seemed to walk on thrones!”
THE PHILOSOPHY OF KISSING.
What’s in a kiss? Really, when people come to reflect upon the matter
calmly, what can we see in a kiss? The lips pout slightly and touch the
cheek softly, and then they just part, and the job is complete. There is
a kiss in the abstract! View it in the abstract, take it as it stands,
look at it philosophically, what is there in it? Millions upon millions
of souls have been made happy, while millions upon millions have been
plunged into misery and despair, by this kissing; and yet when you look
at the character of the thing, it is simply pouting and parting of the
lips. In every grade of society there is kissing. Go where you will,—to
what country you will,—you are perfectly sure to find kissing. There is,
however, some mysterious virtue in a kiss, after all.
There’s something in a kiss;
If nothing else would prove it,
It might be proved by this:
All honest people love it.
THE SCIENCE OF KISSING.
People will kiss, though not one in a hundred knows how to extract bliss
from lovely lips, any more than they know how to make diamonds from
charcoal; yet it is easy enough, at least for us. First know whom you
are going to kiss; don’t make a mistake, although a mistake may be good.
Don’t jump up like a trout for a fly and smack a woman on the neck, or
the ear, or the corner of her forehead, or on the end of her nose. The
gentleman should be a little the taller; he should have a clean face, a
kind eye, and a mouth full of expression. Don’t kiss everybody; don’t
sit down to it; stand up; need not be anxious about getting in a crowd.
Two persons are plenty to corner and catch a kiss; more persons would
spoil the sport. Take the left hand of the lady in your right; let your
hat go to—any place out of the way; throw the left hand gently over the
shoulder of the lady and let it fall down the right side. Do not be in
a hurry; draw her gently, lovingly, to your heart. Her head will fall
submissively on your shoulder, and a handsome shoulder-strap it makes.
Do not be in a hurry. Her left hand is in your right; let there be an
impression to that, not like the gripe of a vice, but a gentle clasp,
full of electricity, thought, and respect. Do not be in a hurry. Her head
lies carelessly on your shoulder; you are heart to heart. Look down into
her half-closed eyes; gently, but manfully, press her to your bosom.
Stand firm; be brave, but don’t be in a hurry. Her lips are almost open;
lean slightly forward with your head, not the body; take good aim; the
lips meet; the eyes close; the heart opens; the soul rides the storms,
troubles, and sorrows of life (don’t be in a hurry); heaven opens before
you; the world shoots under your feet as a meteor flashes across the
evening sky (don’t be afraid); the heart forgets its bitterness, and the
Public-domain text, read in full here on John Shaqi.
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