The literature of kissing : $b gleaned from history, poetry, fiction, and anecdoteBombaugh, Charles C. (Charles Carroll)
History
The literature of kissing : $b gleaned from history, poetry, fiction, and anecdote
Bombaugh, Charles C. (Charles Carroll)
Kissing
Beyond this extremely limited range the literature of kissing is
scattered as widely as its practice. For the earlier presentment of a
custom favored in all ages, we must recur to the Bible. There only may we
raise “the barred visor of antiquity” for full and conclusive revelation;
and there shall we find that the kiss, in all the varied forms of which
it is susceptible, was recognized among ancient kindred, and lovers, and
friends, as an expression of affection or sympathy, as a symbol of joy
or sorrow, as a token of welcome or farewell, as a mark of reverence, or
reconciliation, or gratitude, or humility. There, likewise, shall we find
the kiss of hypocrisy, as noted in the case of Absalom on the eve of his
conspiracy; the sensual kiss, as referred to in the Proverbs; and the
spiritual kiss, of the Song of Solomon.
In the annals of the later periods of human passions and activities the
records of the custom are more widely diffused. Since the woman “which
was a sinner” washed the feet of the Master, with tears, wiped them
with her hair, and kissed them so humbly and with such affectionate
tenderness, millions of good Christians have done the same in their
hearts. Since the Emperor Justinian kissed the foot of the sovereign
pontiff Constantine, millions of the faithful in the mother church have
bowed their necks to kiss the embroidered cross on the slipper of the
Pope. Since “the sweet, soft murmur of a kiss of love” was first heard in
the groves and gardens of Judea, “a great multitude, which no man could
number,” have had recourse to the same token as seal to the indenture
of their own loves, have found in the same attraction another eloquence
than that of words, and in the retrospections of after-days have lingered
lovingly upon the memories of the same rainbow radiance, the same
celestial beam that from their own life smiled the clouds away. It is the
same charm, the same story,
“Old and yet ever new, and simple and beautiful always.”
In endless succession, from generation to generation, are the kisses
arising from the filial and fraternal relations, the interchanges of
affection and friendship, the meetings and the partings, the compliments
of esteem and the promptings of admiration, the outburst of grief
and the beguilement of treachery. Whether formulated by the cautious
prescripts of Mrs. Grundy and her disciples, exhibited in the bluff and
unconventional fashion of swaggering rustics, or quickened into life
with the emotional abruptness which in Brooklyn is termed “paroxysmal;”
whether consecrated only to the holiest affections, or peddled at
church fairs and festivals as a substitute for raffling; whether under
moonlight or gaslight, by the seaside or the fireside, it is still in
its diversified forms the one perennial beatitude, the one never-ending,
still-beginning delight, which “age cannot wither, nor custom stale;”
“The young men’s vision, and the old men’s dream.”
Public-domain text, read in full here on John Shaqi.
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