Celtic literature -- History and criticism; Ireland -- In literature
At the end of the book Mackenzie gives a select number of “Beauties” by
individuals who invoked the muse only on rare occasions, or whose
history is little known to the world. Among these we find the anonymous
yet exquisitely beautiful and pathetic “Mali Bheag Òg.” Our author
claims to be the first to give the whole of it correctly in print.[40]
There is much uncertainty as to the history, circumstance, and locality,
but the occasion of the poem was the elopement of two lovers, who were
pursued. The gallant, a young officer, stood to the defence of his
beautiful fiancée, who stole behind him in the melée. Unhappily his
sword accidentally in the swing struck her so violent a blow that she
expired at his feet. It was in jail awaiting execution that he composed
this heart-melting song:—
Nach truagh leat mi’s mi’m priosan,
Mo Mhàli bheag òg
Do chairdean a’ cuir binn’ orm,
Mo chuid de’n t-saoghal thù.
A bhean na mala mìne,
’S na’m pogan mar na fiòguis,
’S tu nach fagadh shios mi
Le mi-rùin do bheoil.
’S mise bh’air mo bhuaireadh
Mo Mhàli bheag òg,
’Nuair ’thain an ’sluagh mu’n cuairt duinn
Mo ribhinn ghlan ùr;
’S truagh nach ann san uair ud,
A thuit mo lamh o m’ ghualainn,
Mu’n dh’amais mi do bhualadh,
Mo Mhàli bheag òg.
As another independent gleaning, and valuable supplement to Mackenzie’s
work, there falls to be mentioned Archibald Sinclair’s _An T’
Oranaiche_, or the _Gaelic Songster_, published in 1879. “If a man were
permitted to make all the ballads, he need not care who should make the
laws of a nation,” said a wise man. And certainly the songs occupy no
mean place in Celtic life and poetry. Of these there is no collection in
Gaelic like Sinclair’s—humorous, patriotic, satiric, and sentimental. He
gleaned, as he tells us, in many a field, saving some from oblivion.
Others he snatched from fugitive pieces of paper, ere these latter
became food for the moth. In all there are 290 songs in the volume, and
upwards of fifty names of composers, some of whom are still living. The
songs are mainly of last century, and were compiled in Glasgow by their
editor, who was a publisher in that city.
Public-domain text, read in full here on John Shaqi.
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