The little country theaterArvold, Alfred G. (Alfred Gilmeiden)
General
The little country theater
Arvold, Alfred G. (Alfred Gilmeiden)
Little Country Theater (Fargo, N.D.); Little theater movement; Theater -- North Dakota -- Fargo
It is a natural condition for people to crave self-expression. In years
gone by men who have been born and reared on the farm have left it and
gone to the city, in order to find a place for the expression of their
talents. This migration has done more to hinder than to set forward the
cause of civilization. People who live in the country must find their
true expression in their respective neighborhoods, just as much as do
people who live in the city. You cannot continually take everything out
of the country and cease to put anything back into it. The city has
always meant expression—the country, repression. Talent usually goes to
the congested centers of population to express itself. For generations
when a young man or woman has had superior ability along some particular
line and lived in the country, their friends have always advised them to
move to a large center of population where their talents would find a
ready expression. You and I, for instance, who have encouraged them to go
hither, have never thought that we were sacrificing the country to build
the city. This has been a mistake. We all know it.
Over fifty years ago a country doctor became the father of two boys. In
age they were five years apart. The doctor brought them up well and sent
them away to a medical school. Unlike most country-bred boys who go to
large cities, when they finished their courses they went back to the old
home town and began their practice. By using their creative instincts,
organizing power, imagination, and initiative, it was not long before
they became nationally known. People call their establishment “the
clinic in the cornfields.” To-day these “country doctors” treat over
fifty thousand patients. Their names are known wherever medical science
is known. Railroads run special sleepers hundreds of miles to their old
home town in Olmstead County, Minnesota, which, by the way, is one of the
richest agricultural counties in America. The great big thing about these
two men is that they found an opportunity for the expression of their
talents in a typical country community. They didn’t go to a large city,
they made thousands of city people come to them.
Conservatively speaking, there are over ten thousand small towns in
America to-day. More than ten million people live in them. These
communities are often meeting places for the millions whose homes are
in the open country. Rural folks still think of a community as that
territory with its people which lies within the team haul of a given
center. It is out in these places where the silent common people dwell.
It is in these neighborhood laboratories that a new vision of country
life is being developed. They are the cradles of democracy. It is here
that a force is necessary to democratize art so the common people can
appreciate it, science so they can use it, government so they can take a
part in it, and recreation so they can enjoy it.
Public-domain text, read in full here on John Shaqi.
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