Three outdoor spectacles, “The Pastimes of the Ages,” “The Enchantment of Spring,” and “The Master Builder” revealed the infinite possibilities of the drama in picturing “tongues in trees, books in running brooks, sermons in stones, and good in everything.” All of these pageants and many more aim to teach the people who live in God’s gardens to appreciate their surroundings. “The Pastimes of the Ages,” as well as the other two outdoor plays, was presented on a flat prairie, a parade ground about three or four hundred feet from The Little Country Theater. Over fifteen thousand people saw the spectacle and twelve hundred people took part in it. The scene was a most impressive one. At one end of the natural outdoor amphitheater the silent sphinx and three pyramids rose in all their Oriental grandeur. At the other stood a temple of glittering gold, in which the Spirit of Mirth reigned supreme. The play opened with Mirth running out of the temple singing and dancing. In the distance she saw a caravan approaching the pyramids. She beckoned them to come forward. The grand procession followed. On entering the temple the sojourners were greeted by flower maidens. Mirth then bade the caravan to be seated on the steps of marble and witness some of “The Pastimes of the Ages.” The Greek games were played. An Egyptian ballet was danced. Forty maidens clad in robes of purple with hands stretched heavenward chanted a prayer. Two hundred uniformed Arabs drilled. The chimes rang. Mirth gestured for all to rise and sing. The bands _en masse_ struck the notes of that song immortal, written by Francis Scott Key. The caravan, having seen all the pastimes in which men and women have indulged in ages gone by, journeyed back to the place from whence it came. And the story of the most gorgeous spectacle ever seen, on the Dacotah prairie ended. “The Enchantment of Spring” was a pageant in two episodes, with its theme taken from the field of agriculture. The setting was The Temple of Ceres. The Herald of Spring came to the temple with Neptune the God of Water, Mother Earth, Growth, Apollo the God of the Sun, Persephone emblematical of the vegetable world, Demeter the Goddess of Grains, Flora the Goddess of Flowers, and Pomona the Goddess of Fruits, to announce the approach of Spring. The trumpeters signaled the coming of the east and west and north and south winds. They met, they quarreled and Fate drove the north wind away. The three winds then counseled with Neptune, Apollo, and Mother Earth, companions of Growth, as to her whereabouts. They finally discovered Growth at work and bade her to go to the temple. The welcome and the rejoicing followed. At the entry of Spring, the flowers awoke. Ceres called to Spring to come to the steps of the temple. The Crowning of Spring ended the pageant. When it was produced, it opened up the vision of many people as to the latent possibilities of the drama in the vocation of agriculture.