Mental illness -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English; Teachers -- Fiction
Liudmilla told him where to go. He thought a while and demanded forty
kopecks. Liudmilla said:
"Do you think it's far? That shows that you don't know the road."
"Well, how much will you give?" asked the cabman.
"You can take which half you like."
Sasha laughed.
"You're a cheerful young lady," said the cabby with a grin. "You might
add another five-kopeck piece."
"Thank you for escorting me, my dear," said Liudmilla, as she pressed
Sasha's hand tightly and seated herself in the drozhky.
Sasha ran back to the house thinking cheerfully about the cheerful
maiden.
* * * * *
Liudmilla returned home in a cheerful mood, smiling and thinking of
something pleasant. The sisters awaited her. They sat at a round table
in the dining-room, lit up by a hanging lamp. The brown bottle of
cherry-brandy on the white tablecloth looked very cheerful; the silver
paper round the bottle's neck glittered brightly. It was surrounded by
plates containing apples, nuts, and sweets made of honey and nuts.
Darya was slightly tipsy. Her face was red and her clothes were a
little dishevelled; she was singing loudly. Liudmilla as she came
heard the last couplet but one of the well-known song:
"Her dress is gone, her reed is gone.
Naked, he leads her naked along the dune.
Fear drives out shame, shame drives out fear,
The shepherdess is all in tears:
'Forget what you have seen.'"
Larissa was also present. She was sprucely dressed. She was tranquilly
cheerful and eating an apple, cutting off the slices with a small knife
and was laughing.
"Well," she asked, "what did you see?"
Darya stopped singing and looked at Liudmilla. Valeria leaned her
head on her hand with the little finger against her temple and smiled
responsively at Larissa. She was slender, fragile, and her smile was
unreposeful. Liudmilla poured herself a cherry-red liqueur and said:
"It's all nonsense! He's a real boy and quite sympathetic. He's very
dark and his eyes sparkle, but he's quite young and innocent."
Then she burst into a loud laugh. The sisters when they looked at her
began to laugh also.
"Well, what's one to say? It's all Peredonovian nonsense," said Darya,
and waved her hand contemptuously; she grew thoughtful for a moment,
leaning her head on her hands, with her elbows on the table. "I might
as well go on singing," she said, and began to sing with piercing
loudness.
There was an intensely grim animation in her squeals. If a dead
man should be released from the grave on condition of his singing
perpetually, he would sing in this way. But the sisters had already
become used to Darya's tipsy bawling, and at times even joined in with
her in purposely ranting voices.
"Well, she's let herself loose," said Liudmilla laughing. It was not
that she objected to the noise, but she wanted her sisters to listen
to her. Darya shouted angrily, interrupting her song in the middle of a
word:
"What's the matter with you? I'm not interfering with you!"
Public-domain text, read in full here on John Shaqi.
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