The Little Duke: Richard the FearlessYonge, Charlotte M. (Charlotte Mary)
General
The Little Duke: Richard the Fearless
Yonge, Charlotte M. (Charlotte Mary)
Richard I, Duke of Normandy, approximately 932-996 -- Juvenile fiction
They entered the town just as it was growing dark. Count Bernard looked
back and arrayed the procession; Eric de Centeville bade Richard sit
upright and not look weary, and then all the Knights held back while the
little Duke rode alone a little in advance of them through the gateway.
There was a loud shout of "Long live the little Duke!" and crowds of
people were standing round to gaze upon his entry, so many that the bag
of coins was soon emptied by his largesses. The whole city was like one
great castle, shut in by a wall and moat, and with Rollo's Tower rising
at one end like the keep of a castle, and it was thither that Richard was
turning his horse, when the Count of Harcourt said, "Nay, my Lord, to the
Church of our Lady." {7}
It was then considered a duty to be paid to the deceased, that their
relatives and friends should visit them as they lay in state, and
sprinkle them with drops of holy water, and Richard was now to pay this
token of respect. He trembled a little, and yet it did not seem quite so
dreary, since he should once more look on his father's face, and he
accordingly rode towards the Cathedral. It was then very unlike what it
is now; the walls were very thick, the windows small and almost buried in
heavy carved arches, the columns within were low, clumsy, and circular,
and it was usually so dark that the vaulting of the roof could scarcely
be seen.
Now, however, a whole flood of light poured forth from every window, and
when Richard came to the door, he saw not only the two tall thick candles
that always burnt on each side of the Altar, but in the Chancel stood a
double row ranged in a square, shedding a pure, quiet brilliancy
throughout the building, and chiefly on the silver and gold ornaments of
the Altar. Outside these lights knelt a row of priests in dark garments,
their heads bowed over their clasped hands, and their chanted psalms
sounding sweet, and full of soothing music. Within that guarded space
was a bier, and a form lay on it.
Richard trembled still more with awe, and would have paused, but he was
obliged to proceed. He dipped his hand in the water of the font, crossed
his brow, and came slowly on, sprinkled the remaining drops on the
lifeless figure, and then stood still. There was an oppression on his
breast as if he could neither breathe nor move.
Public-domain text, read in full here on John Shaqi.
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