British -- France -- Fiction; French -- England -- Fiction; Love stories
And he was going on as calmly: “For myself, I do not know that I am in
agreement with her. Where her child is concerned, she shows, at times,
for a woman so gifted and so sagacious, a certain conventionality of
outlook. She who, for herself, has chosen the path of freedom, should
have more courage for her child.”
“Isn’t it something of a criticism of the path of freedom that she
doesn’t choose it for her child?” Giles felt himself impelled to
comment. “Aren’t all mothers conventional when it comes to their
daughters? Isn’t convention, in that sense, only another name for
safety?”
“Ah; you are a shrewd young man,” said monsieur de Maubert with a smile.
“Perhaps it is. Personally I feel that for our little friend the free
life of the artist would be a happier one than the life of the English
country lady. That life, for a vivid, vigorous nature such as hers,
would be, I should imagine, _bornée_; _fade_.”
“I don’t see why it should,” said Giles. “But I wasn’t thinking of
country ladies, or of marriage at all. We don’t think of marriage like
that. I thought of Alix making her living in England. I thought of a
life where she would have love and respect about her and be useful and
happy.”
“I do not think that such a prospect would at all attract her mother,”
monsieur de Maubert remarked. “I do not see what more advantage it
offers than a similar life in France. Do you consider, then, that madame
Vervier has not love and respect about her and is not useful and happy?”
Giles at this, struck to silence, sat staring at monsieur de Maubert.
“You have doubtless,” monsieur de Maubert continued—and Giles saw that
it was not through any inadvertence that he had thus placed the
situation of madame Vervier squarely between them; without any
embarrassment, without any hesitation, he calmly selected the
theme—“you have doubtless heard those women speaking of our hostess as
if they did not respect her.”
“Not quite that,” Giles muttered. “They spoke merely as if she didn’t
count with them at all.”
“And do you imagine,” monsieur de Maubert inquired, “that they count
with her?”
In spite of his confusion Giles could answer this question immediately.
“They count with her for Alix,” he said.
“For Alix?” monsieur de Maubert mildly, yet perhaps not quite
ingenuously, questioned.
“You’ve owned to it yourself,” said Giles. “It’s their life she’d want
for Alix. The safe life. The respected life. She’d rather that Alix
should marry one of their sons than be the most wonderful of actresses.”
“It may be so. Gifted and sagacious people have their weaknesses. You
speak again of respect,” said monsieur de Maubert. “All those who are
honoured with her friendship respect madame Vervier. You speak of
marriage. What wife can hope for adoration? Madame Vervier is adored as
well as respected.”
“I should have said that a wife could hope for adoration—and for
fidelity as well,” Giles returned.
Public-domain text, read in full here on John Shaqi.
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