British -- France -- Fiction; French -- England -- Fiction; Love stories
“It is so sure to come that it needs no telling. That is perhaps what is
in your mind.—Or, no; it is only that you are kind, strangely kind to
me,” said madame Vervier, rising as she spoke and moving, with her
light, majestic step to the window. She pulled up the blind, for the sun
no longer beat into the room, and stood looking out for a moment without
speaking, her back turned to him; then she said: “Alix, too, is kind. I
do not fear for our relation, hers and mine. When she is of an age to
hear the truth, she shall hear it.”
“She loves you very deeply,” said Giles.
“She loves me very deeply,” madame Vervier repeated. “I have no fear.”
Giles, too, had risen, and moved to the mantelpiece where the picture of
Alix in its blue-and-silver frame stood. He looked at it in silence for
some moments.
“And how will you persuade her to come back?” he said at last.
“You want her back?” madame Vervier asked from the window.
“Of course I want her back,” said Giles. He spoke quietly, almost
casually; yet it was strange to feel the weight of his own decision. He
pledged himself to something with his words. They implicated him in the
situation from which he removed Alix. It was only for himself that he
had a right to speak and in accepting Alix he accepted the cloud that
hung about her; he brought it back among them; and he knew that the
responsibility was heavy.
“Then she shall go to you,” said madame Vervier. “I shall not be able to
persuade her. I shall attempt no persuasion. She will obey me. That is
all. She will wonder at me for sending her. She will feel that it should
too much offend my pride to send her back on false pretences”—how they
understood each other, mother and child—“but she will go. Our French
children learn to obey. It is the first article in their creed.—And
since the pretences are not too false for your taste, monsieur Giles,
they are not too false for mine.”
“They are too false for my taste,” said Giles. He was implicated, but
madame Vervier must see just how and where. “It’s Alix I’m thinking of.
I sacrifice my taste to her.”
“And I,” said madame Vervier, “sacrifice my pride.”
She stood there looking out, white against the blue, and her voice, for
all its calm, was sombre. “I am not ungrateful,” she added. “Do not
think me ungrateful. I see what you do for my child.”
“I see what _you_ do for her,” said Giles.
“Yes;—but I am a mother!”
“It must be all the harder,” said Giles. “You consent to see yourself
belittled in her eyes. And you consent to live without her.”
Public-domain text, read in full here on John Shaqi.
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