British -- France -- Fiction; French -- England -- Fiction; Love stories
Madame Vervier stood silent at that for a long moment. Something of the
grave ardour in the young Englishman’s voice may well have touched her
to a deeper vision of herself, and of him. It was as if arrested that
she stood contemplating the novel homage laid at her feet. For, after
her pause, she turned suddenly, and fixed her dark gaze upon him. He was
never to forget her as she stood there, against the great sea and sky;
never to forget, as the last of all the varying impressions of the
afternoon, his sense of a greatness, a magnanimity, like the sky’s,
arching above her earthly errors. It remained with him even though the
last words she spoke were so sad, as if, instead of the splendour he
divined in her, she held out to him a handful of dust. “Do not think too
well of me,” she said. “I like you too much. With you there can be no
pretence. Do not think too well. It is best for Alix; but it is best for
me, too, that she should not be near my life.”
CHAPTER XII
The tennis-players returned at tea-time, bringing monsieur Claussel with
them. He was a young man with shy, soft, prominent dark eyes and the
smallest dot of a dark moustache on either side of a nervous upper lip,
and, when tennis was not in progress to absorb his attention, it was
excessively directed to the social exigencies of the occasion. Giles
imagined, as he watched him spring from his chair to offer it, stand
back to let a lady pass, bow with heels together, and tentatively resume
his seat only again to leave it, that he was perhaps less at home in the
jungle than André, and felt, in his introduction to it, a doubled need
for every amenity. It was his first appearance at the Chardonnerets
tea-table, and in his presence, the presence of mademoiselle Fontaine,
her mother and grandmother, madame Vervier may have felt a convenience.
If she found it at all difficult to face Alix and André and Giles after
the interview from which she had just come, her guests, and monsieur
Claussel in particular, gave her an excuse for looking at them rather
than at her intimates. And Giles felt sure that she avoided her
daughter’s eyes.
They were on her, those remote blue eyes of Alix’s, with no insistence,
no appeal. They dwelt in a wide contemplativeness that recalled to him
madame Vervier’s own, were it not that proud patience rather than
security lay behind it; and Giles had the fancy, as he looked at her,
that, in the gaze of Alix, the Mouverays, beneath the threshold of the
child’s consciousness, were judging Hélène Vervier. Whatever the
verdict, Alix’s tenderness for her mother would not waver; but he
watched the Mouverays imparting to her need a further reënforcement of
pride and courage.
Public-domain text, read in full here on John Shaqi.
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