British -- France -- Fiction; French -- England -- Fiction; Love stories
Giles was only just back from his Cornish trip and Toppie and her father
had been in Bournemouth when he had returned from France, so that this
was their first meeting. Mr. Westmacott was not well and the sea had
done him no good. Toppie was worn with nursing him. Giles had never seen
her look so white.
From something deep and watchful in her eyes the feeling came to him
that her father was even more ill than they had guessed and that she was
schooling herself to the thought of losing him. With her father gone,
Toppie’s last close link with earth would be severed.
But she had not spoken of herself or of her anxieties this afternoon.
They had climbed the hill slowly, stopping to look back at the sky, and
Toppie had found this favourite spot among the junipers and had sunk
down, taking off her Panama hat, battered like a boy’s, and holding it
with both hands clasped around her knees as she sat in the deep heather.
She wore her usual grey, again an almost boyish formula; the thin silk
jumper rolled back from the throat, the thin pleated skirt falling to
her ankle. Her pale hair was ruffled up over the black silk ribbon that
bound it. As she sat there while he lay beside her on his arm, Giles had
never felt Toppie so near him. It was more sad than sweet to feel her
so. It gave him the feeling he would have had if she were going away on
a long journey and could be so near because she was to be so far. And
she talked to him of his time in France and of Alix.
“Yes. She’s coming back all right,” Giles said. “I am glad you are glad;
for I am. It’s as if the child belonged to us, isn’t it?”
“It is quite strange, Giles, how much I feel that,” said Toppie, turning
her eyes upon him.
They were such lovely eyes, those of Toppie’s. Giles had always felt
them, since he had first, a boy of fifteen, seen her, the loveliest eyes
in the world. Not large; not vividly marked; her brows and lashes only a
shade darker than her hair; they conveyed the impression of light rather
than colour and of radiance rather than of warmth. It was as if they
looked at you from the zenith on a cloudless, cold Spring day. And the
words that had always gone with them, in Giles’s mind, from the time
that he had first seen Toppie, in church, in Advent, with pale, wintry
sunlight streaming in over her, had been: “Dayspring from on high.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account