British -- France -- Fiction; French -- England -- Fiction; Love stories
Giles felt that he would be better able to face that question, and with
it the whole problem of the child’s future, when he had seen “Maman.”
That was why he was here. That was why he had said “yes,” on the
morning, a fortnight ago, when Maman’s letter at last had come summoning
Alix home. Since their interview, long ago in the Winter, he and Alix
had never spoken of their mutual secret, that dreadful one-sided secret
that Giles visualized as an unexploded bomb lying there between them and
liable at a touch to go off and scatter the family happiness to
fragments. The interview had ended in a pact. She was to help him; she
had, poor little creature, helped him; he still felt stung with shame to
think how much; to think how he had profited, how they all had profited,
by her falsehoods. And he was bound to help her. He knew, when Maman’s
letter came, all that lay behind the appeal as she said: “Oh, Giles,
could you not come with me? and stay if only for a little while; so that
at last you and Maman may meet?”
She felt that it would help if he were to know Maman. And it might well
be that he could only effectually help Alix if he faced at last the
baleful woman who had brought the hidden disaster to their lives. It was
better that he should know, in regard to Alix’s future, what they were
“up against.” It had not been of Maman he was thinking when he assented;
it had been, as on that day last Winter, of Alix herself. And that was
why he was here, on his way to Normandy and the village on the cliff,
and it was Dieppe that was showing now, along its wharves, façades of
sunlit houses.
“Don’t you think, Giles,” said Alix, “that the air in France is very
different? Like golden wine?—There was a wine made at a little mountain
village near Montarel—Vernay-les-Vouvières it is called—and the wine
after it. I wish you could see that village. So high and steep it is,
the road climbs for miles before you reach it; and higher still, above
the village, is an old, old statue of _la Sainte Vierge_, looking down
over the vineyards and blessing them. When one stands beside her one
sees over all the crests of the mountain-ranges; like blue rolling
waves. We used to drink Vernay-les-Vouvières at Grand-père’s. It was
very cheap, for it could not travel; it lost its bouquet at once if it
travelled. And it was a delicious wine; so pale, so light, so delicate.
One felt like singing when one drank it. I think the air of France makes
one feel like that.”
Mrs. Bradley’s household, though not pledged to teetotal principles,
eschewed all alcoholic drink, and Giles, as he listened, seeing the
Virgin, the vineyards, the ingenuous piety, the pagan gaiety that Alix’s
words conjured up, wondered what her impressions of their unenlivened
meals must have been.
Public-domain text, read in full here on John Shaqi.
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