British -- France -- Fiction; French -- England -- Fiction; Love stories
Alix opened her eyes. Someone was standing still before her. Of all the
footsteps that came and went, these had stopped. For a moment, so deeply
was she sunk in the vision of the past, she stared bewildered at the
young man in khaki, forgetting where she was and how she had come there.
Then a jostling, irrelevant crowd of recent memories pressed
forward:—“They will be glad to see my darling”; the grey Channel; the
faces like earthenware jugs. And, even before she had identified him as
monsieur Giles, a suffocating relief rose in her at the sight of him,
while, strangely, one more memory seemed, on the threshold of the new
life, to offer itself with a special significance, a special
interpretation of what she was to find;—the memory of Maman, herself,
and Captain Owen standing together in the Place de la Concorde and of
Maman’s voice saying to him, as they looked at the spot where the
guillotine had been, at Strasbourg, still in her crêpe, and up the
Champs Élysées, while splendid clouds sailed in the blue above
them:—“We are not like you, _mon ami_. Tocsins, tumbrils, trumpets are
in our blood;—Saint Bartholomew; the Revolution; Napoleon. Your history
knows no rivers of blood and no arcs of triumph.”
It was monsieur Giles, of course, and he was like Captain Owen, only _en
laid_. He was tall and young and grave with round, solemn eyes, staring
at her, and a big mouth. And he was very good; she saw that at once; and
then she saw that he was deeply troubled. “I’m so horribly sorry,” was
what he said. But it was more than embarrassment at the miscarriage of
their meeting and dismay at her plight, though the echo of her own
distressful state came to her from his face. She, who from the earliest
age seemed to have been fashioned by life to read the signs of
discomfort and restraint in the faces of those about her, knew now
unerringly that this good young man, who had no tocsins or tumbrils or
trumpets in his blood, was deeply troubled at seeing her. “I’m so
horribly sorry,” he repeated, and he seized her dressing-case, Maman’s
old discarded one with the tarnished monogram “H. de M.,” from which the
crest had fallen away. “You’ve been here for hours,” he said. “Your
mother’s letter did not give the day. Her wire only came this afternoon,
late. We are a good way from London and trains are bad.” He was not
trying to throw the blame on anybody. His voice accepted it all for
himself; but she knew that the mistake had been Maman’s, Maman so
forceful, so practical, yet so careless, too. Maman had taken it for
granted that they lived quite near London; she had taken it for granted
that the wire would arrive in good time.
“Have you had anything to eat?” monsieur Giles almost shouted at her.
“Where’s your box? Is this all? I’m so horribly sorry.”
“Yes, this is all. It has not been so long, really. I have not eaten. I
was afraid to go to the restaurant lest I should miss you.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account