The Little Gray Lady: 1909Smith, Francis Hopkinson
General
The Little Gray Lady: 1909
Smith, Francis Hopkinson
Love stories; Man-woman relationships -- Fiction; Short stories
She lived in the quaintest of old houses fronted by a brick path
bordered with fragrant box, which led up to an old-fashioned porch,
its door brightened by a brass knocker. This, together with the
knobs, steps, and slits of windows on each side of the door, was kept
scrupulously clean by old Margaret, who had lived with her for years.
But it is her personality and not her surroundings that lingers in my
memory. No one ever heard anything sweeter than her voice; in and nobody
ever looked into a lovelier face, even if there were little hollows in
the cheeks and shy, fanlike wrinkles lurking about the corners of her
lambent brown eyes. Nor did her gray hair mar her beauty. It was not
old, dry, and withered--a wispy gray. (That is not the way it happened.)
It was a new, all-of-a-sudden gray, and in less than a week--so
Margaret once told me--bleaching its brown gold to silver. But the
gloss remained, and so did the richness of the folds, and the wealth and
weight of it.
Inside the green-painted door, with its white trim and brass knocker and
knobs, there was a narrow hall hung with old portraits, opening into a
room literally all fireplace. Here there were gouty sofas, and five or
six big easy-chairs ranged in a half-circle, with arms held out as
if begging somebody to sit in them; and here, too, was an embroidered
worsted fire screen that slid up and down a standard, to shield one’s
face from the blazing logs; and there were queer tables and old-gold
curtains looped back with brass rosettes--ears really--behind which
the tresses of the parted curtains were tucked; and there were more old
portraits in dingy frames, and samplers under glass, and a rug which
some aunt had made with her own hands from odds and ends; and a huge
work-basket spilling worsteds, and last, and by no manner of means
least, a big chintz-covered rocking-chair, the little lady’s very
own--its thin ankles and splay feet hidden by a modest frill. There were
all these things and a lot more--and yet I still maintain that the
room was just one big fireplace. Not alone because of its size (and it
certainly was big: many a doubting curly head, losing its faith in Santa
Claus, has crawled behind the old fire-dogs, the child’s fingers tight
about the Little Gray Lady’s, and been told to look up into the blue--a
lesson never forgotten all their lives), but because of the wonderful
and never-to-be-told-of things which constantly took place before its
blazing embers.
For this fireplace was the Little Gray Lady’s altar. Here she dispensed
wisdom and cheer and love. Everybody in Pomford village had sat in one
or the other of the chairs grouped about it and had poured out their
hearts to her. All sorts of pourings: love affairs, for instance, that
were hopeless until she would take the girl’s hand in her own and smooth
out the tangle; to-say nothing of bickerings behind closed doors, with
two lives pulling apart until her dear arms brought them together.
Public-domain text, read in full here on John Shaqi.
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