Biographical fiction; Immigrants -- United States -- Fiction; United States -- History -- 19th century -- Fiction
WHEN the Civil War broke out the women of the South blanched with the
terrible ordeal before them, but never for one moment doubted but that
their beloved ones would come out of it all victorious. To them it was
not conceivable that a cause so plainly one of individual rights could
be lost. Sacrifice upon sacrifice was cheerfully made, even gloried in
by these wonderful women of the South in 1861 and to the bitter end.
Delicately nurtured women denied themselves comforts, sleep, food and
drink; they were reduced to personal hardships which were met and borne
with a sublime fortitude.
When it was all over those families which had possessed wealth
and culture were in the grip of poverty, and it was then that the
spirit of Southern womanhood showed its divine strength. Facing
family troubles with the courage of noble resignation, those women who
had been educated--some abroad--and accomplished, became school
teachers at five dollars a month for a pupil, and many a woman to-day
bears gratitude in her heart for the sweet influence of these school
teachers, which has gone with her into every clime, into every
condition, and proved an unfailing guide to the uplands and the
heights. Many became seamstresses, some governesses and others
traveling companions. But wherever these gentlewoman went they
carried refinement and ideals.
The heroism of the Southern women in the Civil War is an Epic
in American History!
Renestine was the mother now of three little daughters.
Jaffray had gone to Mexico to buy up horses, saddles and commissaries
for the army. Caroline and Josiah were her bodyguards and, faithful
servants, they saved her little anxieties and looked after the welfare
of the children.
Renestine made their little shoes by shaping cloth after their
worn ones and sewing them together with pieces of soft cardboard for
soles. She made coffee by drying beets, and flour by drying potatoes.
Her practical little head was resourceful for any emergency. She felt
sad at the separation from her husband, and her large black eyes were
mournful but not tearful. To be and doing was her spirit. In spare
moments she sat down to her tambourine to do crewel work on a
tapestry picture. It was a large subject--The bard Ossian playing his
harp to Malvino. Ossian seated on the front of some brown rocks,
Malvino seated before him, her hands folded across his knees, full of
tender regard for the gentle musician. This work was her pastime and
recreation. She selected the worsteds and worked her needle out and
in, shading and coloring and outlining with the skill of an artist in
paints. Three years she worked on this picture, almost to the end of
the war, almost as long as Penelope worked on her task awaiting
Ulysses' return.
Public-domain text, read in full here on John Shaqi.
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