He turned, with widespread arms, extended fingers, each finger a hook,
and grappled the three. The battle became a whirlwind, a be-spurred man
the center, from which radiated flying draperies of flimsy silk,
disconnected slippers, boudoir caps, and hairpins. There were thuds
from the cushions, grunts from the man, squeals, yelps and giggles from
the girls, and from the totality of the combat inextinguishable
laughter and a ripping and tearing of fragile textures.
Dick Forrest found himself sprawled on the floor, the wind half knocked
out of him by shrewdly delivered cushions, his head buzzing from the
buffeting, and, in one hand, a trailing, torn, and generally disrupted
girdle of pale blue silk and pink roses.
In one doorway, cheeks flaming from the struggle, stood Rita, alert as
a fawn and ready to flee. In the other doorway, likewise flame-checked,
stood Ernestine in the commanding attitude of the Mother of the
Gracchi, the wreckage of her kimono wrapped severely about her and held
severely about her by her own waist-pressing arm. Lute, cornered behind
the piano, attempted to run but was driven back by the menace of
Forrest, who, on hands and knees, stamped loudly with the palms of his
hands on the hardwood floor, rolled his head savagely, and emitted
bull-like roars.
"And they still believe that old prehistoric myth," Ernestine
proclaimed from safety, "that once he, that wretched semblance of a
man-thing prone in the dirt, captained Berkeley to victory over
Stanford."
Her breasts heaved from the exertion, and he marked the pulsating of
the shimmering cherry-colored silk with delight as he flung his glance
around to the other two girls similarly breathing.
The piano was a miniature grand--a dainty thing of rich white and gold
to match the morning room. It stood out from the wall, so that there
was possibility for Lute to escape around either way of it. Forrest
gained his feet and faced her across the broad, flat top of the
instrument. As he threatened to vault it, Lute cried out in horror:
"But your spurs, Dick! Your spurs!"
"Give me time to take them off," he offered.
As he stooped to unbuckle them, Lute darted to escape, but was herded
back to the shelter of the piano.
"All right," he growled. "On your head be it. If the piano's scratched
I'll tell Paula."
"I've got witnesses," she panted, indicating with her blue joyous eyes
the young things in the doorways.
"Very well, my dear." Forrest drew back his body and spread his resting
palms. "I'm coming over to you."
Action and speech were simultaneous. His body, posited sidewise from
his hands, was vaulted across, the perilous spurs a full foot above the
glossy white surface. And simultaneously Lute ducked and went under the
piano on hands and knees. Her mischance lay in that she bumped her
head, and, before she could recover way, Forrest had circled the piano
and cornered her under it.
"Come out!" he commanded. "Come out and take your medicine!"
Public-domain text, read in full here on John Shaqi.
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