So used was he to the mare, that he was scarcely aware of her antics. Automatically, with slightest touch of rein against arched neck, or with tickle of spur or press of knee, he kept the mare to the way he willed. Once, as she whirled and danced, he caught a glimpse of the Big House. Big it was in all seeming, and yet, such was the vagrant nature of it, it was not so big as it seemed. Eight hundred feet across the front face, it stretched. But much of this eight hundred feet was composed of mere corridors, concrete-walled, tile-roofed, that connected and assembled the various parts of the building. There were patios and pergolas in proportion, and all the walls, with their many right-angled juts and recessions, arose out of a bed of greenery and bloom. Spanish in character, the architecture of the Big House was not of the California-Spanish type which had been introduced by way of Mexico a hundred years before, and which had been modified by modern architects to the California-Spanish architecture of the day. Hispano-Moresque more technically classified the Big House in all its hybridness, although there were experts who heatedly quarreled with the term. Spaciousness without austerity and beauty without ostentation were the fundamental impressions the Big House gave. Its lines, long and horizontal, broken only by lines that were vertical and by the lines of juts and recesses that were always right-angled, were as chaste as those of a monastery. The irregular roof-line, however, relieved the hint of monotony. Low and rambling, without being squat, the square upthrusts of towers and of towers over-topping towers gave just proportion of height without being sky-aspiring. The sense of the Big House was solidarity. It defied earthquakes. It was planted for a thousand years. The honest concrete was overlaid by a cream-stucco of honest cement. Again, this very sameness of color might have proved monotonous to the eye had it not been saved by the many flat roofs of warm-red Spanish tile. In that one sweeping glance while the mare whirled unduly, Dick Forrest's eyes, embracing all of the Big House, centered for a quick solicitous instant on the great wing across the two-hundred-foot court, where, under climbing groups of towers, red-snooded in the morning sun, the drawn shades of the sleeping-porch tokened that his lady still slept. About him, for three quadrants of the circle of the world, arose low-rolling hills, smooth, fenced, cropped, and pastured, that melted into higher hills and steeper wooded slopes that merged upward, steeper, into mighty mountains. The fourth quadrant was unbounded by mountain walls and hills. It faded away, descending easily to vast far flatlands, which, despite the clear brittle air of frost, were too vast and far to scan across.