Japan -- Juvenile fiction; Jinn -- Juvenile fiction; Matches -- Juvenile fiction; War -- Juvenile fiction
Fiam gave a soft whistle—it was his way of sighing. Then he crept down
on my shirt to find the silk waterfall and rest a while in a fold; but
he couldn’t find any tie. I was wearing a kind of uniform similar to
that of the soldiers.
“Why are you dressed this way?” he asked in a surprised tone, tapping
me on my chin.
“It is the fashion in my country.”
He whistled again, and going down from button to button he reached my
knees.
“Why do you wear these great boots?” he said, looking down at my feet,
stretching himself out cautiously as if he were an Alpine climber
hanging over a precipice.
“It is the fashion in my country.”
[Illustration: Postage Stamps]
CHAPTER IX
POSTAGE STAMPS
The train stopped at a large station. A dozen officers entered the car
all talking, threw their bags into their racks, took off their swords
and placed them near the window, seated themselves and lighted their
cigarettes. There was a perfect slaughter of matches. Poor Fiam was
so frightened that he hurried under my waistcoat and, creeping near a
buttonhole, hid his head under a button.
Outside of the train there was the noise of a great crowd. We could
hear the tread of the troops as they went to their places in the cars
prepared for them. We heard shouted commands, the rattle of cartridges
in their boxes at the belts of the soldiers, and the guns dropping
to the ground all at once sounded like falling iron. In the distance
hundreds of people kept shrieking and repeating: “Sayonara!” which
means good-bye. “Banzai,” hurrah. “Come back victorious! Destroy the
enemy! Glory!” and other similar cries.
One of the officers in my compartment asked:
“What are we waiting for?”
“They are attaching the cars of guns,” replied another.
“There will be lots of guns needed in this war!” exclaimed a third.
“It is going to be the greatest war of our country,” a fourth added
complacently.
Some one began to hum a tune. The others joined in the chorus. The
train started. I felt Fiam, who had taken his head from under the
button, climb along the waistcoat and crawl into his little box, which
was in an inside pocket. The box had been used so much that it was all
broken on one side, so that Fiam had learned to come and go through the
hole by himself.
He didn’t appear until late at night, when every one was asleep,
swaying with the motion of the train, and the car only dimly lighted
by a covered lamp. I was awakened by his little voice. He had climbed
up on my shoulder near my ear and was calling to me. In the dazed
condition of a person half awake I thought it was the singing of a
mosquito and put up my hand to catch him.
“It is I,” he said. “I am Fiammiferino.”
“Oh! good-morning. Aren’t you asleep?”
“No, I never sleep. I am not a man.”
“Then if you will excuse me, allow me to sleep. I am a man.”
“First tell me—from the conversation I have overheard I judge there is
war; is it true?”
“Yes, perfectly true.”
“And are we going there?”
“Does it displease you?”
Public-domain text, read in full here on John Shaqi.
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