The Little Moment of HappinessKelland, Clarence Budington
General
The Little Moment of Happiness
Kelland, Clarence Budington
Man-woman relationships -- Fiction; World War, 1914-1918 -- Fiction
“It’s early. The crowd doesn’t show up before seven-thirty, so we can
get a table up front where we can see the show,” said Stanley. “Besides,
there’s a waiter there who speaks English.”
They found seats with their backs toward the windows, a point of vantage
from which they could view the large, mirrored room with its rows of
small, closely set tables. Only a few were occupied, but gradually the
patrons straggled in—a truly Parisian gathering. There were handsome men
in officers’ uniforms with many gold service stripes on the sleeve, and
some with two, three, or even four wound chevrons on the opposite
sleeve. They were accompanied by well-dressed women, mostly young,
always very neat.... It was their shoes that demanded Kendall’s
attention. This was a matter that had been impressing itself upon him
through the day—that the Parisienne knew how to dress her feet. There
were _poilus_ on leave, each with his girl, or even with two girls.
There were one or two old but immaculate men with women young enough to
be their granddaughters. A few women entered alone and seated themselves
quietly at tables to await their partners—perhaps the café was their
place of rendezvous.... Two women, beautifully dressed in black, with
widows’ veils, occupied a table just across from Kendall and his
companion. They were very young, and one was remarkably lovely.... The
sight rather depressed Kendall. This was one of the meanings of war—this
youthful widowhood! Here was the cruelty of it, the bitterness of it!
“France must be filled with widows,” he said to Stanley.
Bert grinned. “Camouflage,” he said.
“What do you mean?”
“If you’re thinking about our friends opposite, don’t get too
sympathetic. They’re no more widows than I am. Camouflage. It’s the
style. But they’re overdoing it. Everybody’s next, now, even us
Americans. Bait, sonny, bait, that’s what it is.”
Bert looked over at the widows and smiled, and the lovelier one smiled
in reply, not brazenly, not with the red-lipped, painted-cheeked smile
of the Anglo-Saxon siren, but demurely, pleasantly, as if she were
merely returning his smile out of courtesy and from an abundance of
gentle good nature.
“See?” said Bert.
“But they look _nice_.” Again Kendall used that word.
“They are nice.... This isn’t Terre Haute, son.”
Everybody was drinking wine, Kendall noticed. It was universal, and as
the meal progressed he spoke about it.
“Everybody is going to the wine,” he said, “but nobody gets noisy.”
“Nobody does,” said Bert. “Do we get noisy at home when we drink
coffee?”
Kendall watched. He saw a man half fill his companion’s glass with red
wine, then pour in as much water as there was wine. This, he saw, was
almost universally done.... Conversation was animated. There was gay
laughter and lightness, but it was not the gaiety of wine.
Public-domain text, read in full here on John Shaqi.
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