The Little Moment of HappinessKelland, Clarence Budington
General
The Little Moment of Happiness
Kelland, Clarence Budington
Man-woman relationships -- Fiction; World War, 1914-1918 -- Fiction
They bought tickets for the “Folies” and entered, traversing the large
hall filled with tables at which the audience was expected to refresh
itself between the acts, or even during the performance, and, after
buying programs, were conducted to their seats by a girl usher who stood
sternly by until she received her tip—a tip that she would have
suggested if it had not been tendered.
Then the performance began—a very disappointing performance to a
Middle-Western young man who had heard tales of the naughtiness of the
French stage. It turned out to be a rather clumsy musical comedy which
was more vaudeville than either music or comedy. It was not naughty at
all, he said to himself—but perhaps that was because he failed to
understand the dialogue. Anyhow, he had seen much franker costumes and
much more suggestive incident in Mr. Ziegfeld’s “Follies” or at the
Winter Garden.
The audience was more than half American; the music was adapted from
American shows, and between the acts a jazz orchestra, “straight from
Broadway,” made the ears ring. Everybody got up between the acts and
promenaded or sat at the little tables.... Girls wandered about and
spoke to one, and made Kendall feel uncomfortable and embarrassed again.
He was glad when they returned to their seats.
The performance rather bored him, and he suggested leaving. Bert was
ready, too, so they sauntered out onto the dark streets, making their
way to the Avenue de l’Opéra and past the huge bulk of that wonderful
building which France had erected even while she was paying to Germany
the billion-franc indemnity exacted after 1870. Once or twice soft
voices accosted them out of the darkness, but they walked on toward the
Union, and presently were ordering ice-cream and listening to a
lieutenant play ragtime on the piano.
Then, suddenly, the air was rent by a startling, metallic shriek, a
long-sustained, nerve-twanging, raucous blast.
“Raid!” said Stanley, getting to his feet.
“Bomb raid?” asked Kendall, instantly excited.
“Yes. Let’s go out and take a look.”
So, with characteristic foolhardiness, they sallied out and hurried up
the rue de Rivoli to the Place de la Concorde, where they sat on a stone
balustrade and waited. They were not alone. About that open space were
scattered a dozen Americans impelled by absurd curiosity—a curiosity
they would discard very shortly and become more circumspect in their
behavior as well as more respectful toward the _Gothas_.
Still the _alerte_ sounded, more terrifying than the sound of the
barrage which was presently to begin. Sirens mounted on fire-engines
were giving the alarm, tearing madly through the black streets, and with
horrid voice commanding Paris to seek sanctuary in _abri_ or in the
tunnels of the Metropolitan.
Public-domain text, read in full here on John Shaqi.
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