France -- History -- Revolution, 1789-1799 -- Juvenile fiction
"Pierre shan't call you `little stupid!'" she said. "See, you have made
him cry, poor dear: and he was so clever; he gathered such a lot of
flowers all himself for the dear mother's birthday."
"Pierre was only in fun; Roger mustn't cry," said the big, elder
brother, good-naturedly picking up the tiny one. "Where are Marie and
Joseph? Come quick, all of you, we shall only have time to put up the
wreaths before father comes in to supper."
In another minute the five children were collected in the parlour,
Pierre carefully locking the door inside when they had entered to secure
against surprises. It was always with a certain awe that the young
Marcels crossed the threshold of this room. They spoke in softer
voices--they carefully wiped their thick shoes on the mat at the door--
they would as soon have thought of romping or jumping in church as in
here. And yet they themselves could hardly have explained why they felt
so. The room, though pretty in a rather stiff way, was, after all, very
simple. The wooden floor, to be sure, was polished like a mirror, and
there were little lace curtains in the windows, which were never torn or
soiled, for Madame Marcel took the greatest care of them, washing and
getting them up twice a year with her own best caps, and never allowing
Susette, the servant, to lay a finger on them. The brass handles of the
old marble-topped chest of drawers were as bright as the copper pans in
the kitchen, and so was the heavy old brass fender, behind which were
the iron bars for the logs of wood which, on very rare occasions, such
as New Year's Day, or a marriage or christening feast, should it fall in
winter, made a cheerful blaze up the old chimney. But the stiff hard
sofa backed up against the wall, and the stiff hard chairs and
arm-chairs standing round in a row, were no longer white as in the days
of their long past youth, and the old-fashioned tapestry with which
their seats and backs were covered had little colour left, and here and
there a careful darning was plainly to be seen.
The children stood still and looked round them, as they always somehow
did on first entering the room, as if they expected to discover
something they had never seen before. Then said Pierre:
"How shall we do it? The same as last year--a wreath on the
chimney-piece, and two smaller ones round the mirror and the little old
portrait? Yes, I think that is the best."
For there was a small, queerly-shaped mirror in a heavy, now dull, gilt
frame on one side of the fire-place, and on the other, matching it, the
object which the children regarded with more interest than anything in
the room, "the little old portrait," they called it among themselves,
and "some day," their father had promised them, they should be told its
history. But all they knew at present was that it had been many, many
years--not far off a hundred--in the best room of the old farmhouse.
Public-domain text, read in full here on John Shaqi.
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