The Little Regiment, and Other Episodes of the American Civil WarCrane, Stephen
History
The Little Regiment, and Other Episodes of the American Civil War
Crane, Stephen
United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
The dim hands were drawn hastily under the barn. The girl reflected for
a moment. Then she stooped and whispered: "Hey! It's me!"
After a time there was a resumption of the digging. The ghostly hands
began once more their cautious mining. She waited. In hollow
reverberations from the interior of the barn came the frequent sounds of
old Santo's lazy movements. The sentry conversed with the prisoner.
At last the girl saw a head thrust slowly from under the beam. She
perceived the face of one of the miraculous soldiers from the feed box.
A pair of eyes glintered and wavered, then finally settled upon her, a
pale statue of a girl. The eyes became lit with a kind of humorous
greeting. An arm gestured at her.
Stooping, she breathed, "All right." The man drew himself silently back
under the beam. A moment later the pair of hands resumed their cautious
task. Ultimately the head and arms of the man were thrust strangely from
the earth. He was lying on his back. The girl thought of the dirt in his
hair. Wriggling slowly and pushing at the beam above him he forced his
way out of the curious little passage. He twisted his body and raised
himself upon his hands. He grinned at the girl and drew his feet
carefully from under the beam. When he at last stood erect beside her,
he at once began mechanically to brush the dirt from his clothes with
his hands. In the barn the sentry and his prisoner were evidently
engaged in an argument.
The girl and the first miraculous soldier signalled warily. It seemed
that they feared that their arms would make noises in passing through
the air. Their lips moved, conveying dim meanings.
In this sign language the girl described the situation in the barn. With
guarded motions, she told him of the importance of absolute stillness.
He nodded, and then in the same manner he told her of his two companions
under the barn floor. He informed her again of their wounded state, and
wagged his head to express his despair. He contorted his face, to tell
how sore were their arms; and jabbed the air mournfully, to express
their remote geographical position.
This signalling was interrupted by the sound of a body being dragged or
dragging itself with slow, swishing sound under the barn. The sound was
too loud for safety. They rushed to the hole and began to semaphore
until a shaggy head appeared with rolling eyes and quick grin.
With frantic downward motions of their arms they suppressed this grin
and with it the swishing noise. In dramatic pantomime they informed this
head of the terrible consequences of so much noise. The head nodded, and
painfully but with extreme care the second man pushed and pulled himself
from the hole.
In a faint whisper the first man said, "Where's Sim?"
The second man made low reply. "He's right here." He motioned
reassuringly toward the hole.
When the third head appeared, a soft smile of glee came upon each face,
and the mute group exchanged expressive glances.
Public-domain text, read in full here on John Shaqi.
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