The Little Review, April 1914 (Vol. 1, No. 2)Various
General
The Little Review, April 1914 (Vol. 1, No. 2)
Various
Literature, Modern -- 20th century -- Periodicals
all manner of experiment with such things. They wouldn't even be happy;
for happiness is built of stability, loyalty, character, and again
character. My husband said, after reading that passage in _The
Passionate Friends_, "The trouble with him and the class he writes of is
that they aren't busy enough. Let 'em work for a living, be interested
in something vitally for ten hours out of the twenty-four, and they'll
forget all about their neighbors' wives and be content with good men
friends and casual women friends."
The trouble lies with poor old human nature, I guess, and the way it
wants what it cannot and ought not to have. But Wells says all unreality
is hateful to him. Let's tear down the barriers, let's show up for what
we are. Poor Smith wants something his neighbor has--well, let's give it
to him, whether it's his neighbor's success or his wife or his
happiness. Nature is still unbearably ugly in lots of ways. When we can
train it to be unselfish and disinterested then it will be time to tear
down barriers.
Lady Mary in _The Passionate Friends_ is an unconvincing character, too.
I can conceive of a woman who will take all of a man's possessions,
giving him nothing in return, not even fidelity, but I cannot conceive
of her justifying herself unless she is an utter moral degenerate. The
danger of such writers as Wells is that they are plausible enough till
you look below the surface. He tries to represent Lady Mary as charming,
but she, it seems to me, even more than modern society which he
arraigns, is "honeycombed and rotten with evil."
"M. M."
The description of a "little old Victorian lady" who sits in the
background of our consciousness and plays conscience for us is charming;
but.... She's a sweet-faced little lady to whom the universe is as clear
as crystal and as simple as plane geometry. She is always knitting, and
what she knits is a fine web of sentimentality with which to cover the
nakedness of truth--"for it is not seemly, my dear, that anything, even
truth, should be naked."
This web of hers is as fine as soft silk and as strong as chain mail.
It's sticky, too. And it clothes truth so thoroughly that she grows
unrecognizable to any but the most penetrating searcher--to H. G. Wells,
for instance. It's natural enough that the old lady should dislike
Wells, for he's found her out; he's made the astonishing discovery that
underneath the web life is not sentimentally simple. He discloses to her
scandalized eyes various unfortunate facts which she has done her best
to conceal, as for instance the fact that there is such a thing as sex.
"Sex," says Wells in effect in every one of his novels, "is a disturbing
element, _the_ disturbing element, in life. So long as sex exists it is
a physical impossibility that life should be the sweetly pretty parlor
game our little Victorian lady would have it."
Public-domain text, read in full here on John Shaqi.
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