The Little Review, April 1915 (Vol. 2, No. 2)Various
General
The Little Review, April 1915 (Vol. 2, No. 2)
Various
Literature, Modern -- 20th century -- Periodicals
THE DANCE
With wide flung arms,
With feet clinging to the earth
I will dance.
My breath sobs in my belly
For an old sorrow that has put out the sun,
An old, furious sorrow ...
I will grin,
I will bare my gums and grin
Like a grey wolf who has come upon a bear.
The Poetry of Paul Fort
RICHARD ALDINGTON
It is said that there are only three honors in the world really worth
accepting. The first is that of Pope of Rome, the second Prime Minister
of England and the third Prince des Poètes. Monsieur Paul Fort is Prince
des poètes, a sort of unofficial title conferred upon him by the
affection and admiration of the young poets of Paris. Paul Verlaine,
Stephen Mallarmé and Leon Dierx were M. Fort’s successors, and in the
ballot which took place when he was elected M. Henry de Régnier was an
excellent second.
Paul Fort is indeed a prince of poets, the essence and the type of the
poetic personality, princely in the extraordinary generosity with which
he scatters largess of poetry and princely in his disdain for any
occupation but that of poet. If I were king of England I believe I would
ask Paul Fort to be my Prime Minister, but he would refuse, for he has a
better and more interesting kingdom of his own. He should have been
Grand Vizier to Haroun-al-Raschid, and when the Sultan went to war or to
love, when he was idle or busy, vainglorious or craven, happy or sad,
wanton or grave, M. Fort, Grand Vizier, would have made a poem to
express or correct the Sultan’s mood.
Critics are fond of making epigrams on Paul Fort. They say he is “genius
pure and simple”; that he has a nature continually active and awake. It
would be simpler to say he is a poet. Everything he lives, everything he
sees, everything he hears or smells or touches or experiences is matter
for poetry. Everything from Louis XI. to the “joli crottin d’or” goes
into his varied subtle rhythms. He is the only living poet who can
gracefully introduce his own name into a poem without appearing
ridiculous. He is continually interested in himself and notes with
pleasure the interest of others:
“Cinq, six, sept, huit enfants me suivent très curieux du long
nez éclairant la cape au noir velours, ‘de ce monsieur tombé de
la lune, avec des yeux de merlan frit!’ dit l’un d’entre eux.”
He writes that in the midst of a poem describing a visit to the village
of Coucy-le-Chateau. I have no doubt thousands of other people have been
to Coucy-le-Chateau, among them many poets, but Paul Fort is the first
to make a poem of it:
Public-domain text, read in full here on John Shaqi.
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