The Little Review, April 1916 (Vol. 3, No. 2) — John Shaqi
The Little Review, April 1916 (Vol. 3, No. 2)Various
General
The Little Review, April 1916 (Vol. 3, No. 2)
Various
Literature, Modern -- 20th century -- Periodicals
This much is certain: no administration could take away every ancient
prerogative of art students; lead them gently into organization; impose
discipline upon them; and appoint God a chaperone over their play—in
fact make a crêche of the school—if there were any of the stuff in them
of which artists are made.
There always has been a fight on the part of the school to get what it
wanted from the directors; but things can be done. Read the list of
“illustrious names” of visiting instructors, years ago, and then compare
the student roll of the same time. Once the Art Institute was an art
school with art students, who were artists, who in spite of everything
led the life of artists, knew the analogy between painting and the other
Arts, swarmed to concerts and the theatres, and created their own
atmosphere. That was the time when Bernhardt came to the school in her
yellow-wheeled carriage and walked down a double line of quaking,
adoring art students. And when Calvé came to sing.... How many students
there now know these names, know anything beyond fashion drawing?
They have indicted themselves. If there were artists the Art Institute
could seek exhibitions. If there were art students we could have an art
school, not a “factory.” And if the directors of the Art Institute and
its patrons really wanted Art, and the directors would throw the
Institute open to all kinds of exhibitions, we might even in time find
Art.
German Poetry
WILLIAM SAPHIER
Learned essays on this or that poetry make little red devils dance in my
brain and my right hand reach for a Japanese sword. They are invariably
inferior to the spirit, and occupy only a small section of the horizon
of their subject. I have translated these three poems because I felt
that they were as good or better than the best things published in this
country, and because so little is known of this kind of German poetry
here. The first is by Julius Berstl and the second two are by Fritz
Schnack. I know of many more, but I am unable to get their work just
now. As you perhaps know, they are engaged at present in a different
direction.
Highland
(_From the German of Julius Berstl_)
Early light reflexes climb with rose fingers up the cliffs.
The chilly valley slumbers and cowers in its white fog bed,
But nude and cool, unearthly fine and clear,
Glitter the glacier chains.
The morning wind faint-heartedly plays a lyre,
No bird strikes screaming through the distance;
It is as if the sound of a timid harp
Spreads with bird-like wings
Along the stone cliffs and over the valley.
And now, as if breathed by the fragrance and dew,
Out of fog blossoms a wreath of meadows;
Behind them blooms a crystal glacier blue,
And a dream-laden delicate purple grey
Plays all around the giant mountains.
Young Days
Public-domain text, read in full here on John Shaqi.
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