The Little Review, April 1916 (Vol. 3, No. 2)Various
General
The Little Review, April 1916 (Vol. 3, No. 2)
Various
Literature, Modern -- 20th century -- Periodicals
For years now newspaper paragraphers, “poets”, and editors have been
saying such things as “It is time we are getting ourselves talked about”
when mentioning Ezra Pound. Untermeyer stoops to it; he is still the
“once born” when being “critical” about Amy Lowell: “A blue herring
sings”. What he is really parodying here is his colleague Walt Mason’s
prose-printed jingles which are syndicated throughout newspaperdom; he
is not giving a “critical exposition” of polyphonic prose. It will need
a keener critic or poet than he to do it—or to produce a parody or
satire whose art equals that of the thing satired—Masters’s things for
example. By ambling through thirty-seven lines Untermeyer imagines that
he is being master of the situation as regards Masters. And the last
line of the parody on James Oppenheim might very well have been written
by Untermeyer himself as one of his own: “Clad in the dazzling splendor
of my awakened self”.... No matter what may have been your attitude
toward the poets parodied these things leave your feelings
unchanged—except that he makes more definite your attitude towards him.
Impartial and Otherwise
_The Making of Germany, by Ferdinand Schevill. Chicago: A. C.
McClurg and Company._
_Great Russia, by Charles Sarolea. New York: Alfred A. Knopf._
_Imperial Germany and the Industrial Revolution, by Thorstein
Veblen. New York: Macmillan._
These books are not war-literature—a compliment not often deserved in
these days of ink-war demoralization. The lay, unbiased reader, who is
inclined to learn facts rather than to find interpretations
substantiating his prejudices, will enjoy the three books as a rare
treat. They are very much unlike. Mr. Schevill is a historian par
excellence, and lends a broad perspective to the related facts. He also
lends a rich romantic flavor to his narrative, an emotional
undercurrent—so unfrequent a feature with academic writers. His point of
view may not be universally acceptable; even in history there are events
and phenomena which belong to the autonomous region of taste and
opinion. The scene of the triumphant Prussians solemnizing their victory
in Versailles, for example, may arouse differing emotions and
reflections. Mr. Schevill bows in reverence before the three heroic
figures of Emperor William (“not unlike the legendary Barbarossa”),
Bismarck, and Moltke. We may likewise not share his enthusiasm for the
German idea of State, as superior to Anglo-Saxon individualism. But we
cannot help admiring the general brilliancy of the treatment of the
gigantic subject, and if we are capable of getting instructed, our
reading of the book will amply reward us.
Public-domain text, read in full here on John Shaqi.
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