The Little Review, April 1916 (Vol. 3, No. 2) — John Shaqi
The Little Review, April 1916 (Vol. 3, No. 2)Various
General
The Little Review, April 1916 (Vol. 3, No. 2)
Various
Literature, Modern -- 20th century -- Periodicals
As a matter of fact a removal of the tariff wouldn’t much hurt even
publishers, as the foreign books we really want in America are the sort
which the greed of American business publishers forbids their publishing
... but that is no matter.
It affects every young writer in America, and every reader whether he
wish merely to train his perceptions or whether he train them with a
purpose, of, say, learning what has been done, what need not be
repeated, what is worthy of repetition. There is now the hideous
difficulty of getting a foreign book, and the prohibitive price of both
foreign and domestic publications. I don’t know that I need to go on
with it.
Again and yet again it is preposterous that our generation of writers
shouldn’t have the facility in getting at contemporary work, which one
would have in Paris or Moscow. It’s bad enough for the American to
struggle against the dead-hand of the past generation composed of clerks
and parasites and against our appalling _decentralization_, i. e., lack
of metropoles and centers, having full publishing facilities and
communication with the outer world—(which last is being slowly
repaired)—also our scarcity of people who know.
When all the world goes mad, one must accept madness as sanity,
since sanity is, in the last analysis, nothing but the madness on
which the whole world happens to agree.—_Bernard Shaw_, 1916.
A Sorrowful Demon[1]
ALEXANDER S. KAUN
How he hates us, ordinary mortals! No, he seldom hates; he reserves his
hatred for God, for life, for the universe. For us, weak bubbles driven
on the surface by uncontrollable forces, he has only contempt. Yet,
though hating and despising, he is infinitely dear to us: the thick
melancholy vein that bulges across his wildcat forehead makes him almost
human; the taut string of his remote harp vibrates at times with such
yearning and pain that we feel nearly at home with that alien-on-earth,
Mikhail Lermontov. We are glad with a petty gladness whenever we
discover in him this weakness, his humaneness; we chuckle at the
comfortable feeling of being able to observe him on the level plane,
freed from the necessity of throwing our heads far back in order to
perceive him on the lonely peak. He is our brother, we boast; and we
inflict on him the severest punishment for a genius—forgiveness.
Public-domain text, read in full here on John Shaqi.
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