The Little Review, August 1915 (Vol. 2, No. 5)Various
General
The Little Review, August 1915 (Vol. 2, No. 5)
Various
Literature, Modern -- 20th century -- Periodicals
His wife and the mother of his children is a part of the furniture of
existence for him. In his own way he is quite dead, but it was not
necessary to kill him. If his son revolts the instinct of his mother is
communicated to him and he fights. He borrows the mother’s weapons and
he blasphemes in a half-hearted way about the duty to parents. But the
beauty which the mother found easy to kill in the daughter usually
discovers a hardier citadel in the son and usually he carries it safely
into the world.
The room—this living room—is dimly and “artistically” lighted. The fire
in the grate glows. The daughter sits in a corner speaking to a friend.
At the other side sits the father—reading blankly. The wife enters. She
surveys the scene from the doorway with a feeling of warm satisfaction.
She comes in and sits down. They talk about nothing, they think about
nothing. The daughter and the young man, beneath the smooth surface of
the artificial moments, are playing at the eternal indecency. The mother
leads the conversation. Neighbors are discussed. Friends are derided.
Social inferiors are laughed to scorn. Social superiors are spoken of
with adulation and veneration. At last the father climbs to his bed like
an ox. He is tired, poor fellow. The mother follows him into the
bedroom. A victor, utterly triumphant, she hugs her dead soul to herself
and smiles. The daughter retires after being desperately kissed by the
physically curious young man, and she lies awake a while wishing in
moments of provoked sex that she too was married and meditating in
calmer spaces upon the advantages of the family unit, the fireplace, the
party calls. O, this daughter! She is the one who had the vision of
beauty. She is the one whose soul sang for a day with the capacity for
all the world’s lovliness. Honesty, purity, fineness burned in her with
their divine radiance. The lights are turned out. Death reigns supreme.
Patterns
AMY LOWELL
I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whale-bone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime tree is in blossom
And one small flower has dropped upon my bosom.
Public-domain text, read in full here on John Shaqi.
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