The Little Review, August 1916 (Vol. 3, No. 5)Various
General
The Little Review, August 1916 (Vol. 3, No. 5)
Various
Literature, Modern -- 20th century -- Periodicals
THE LITTLE REVIEW
Literature Drama Music Art
MARGARET C. ANDERSON
EDITOR
AUGUST, 1916
A Real Magazine Margaret C. Anderson
Wakefulness Amy Lowell
Plymouth Rocks R. G.
Ulysse Fait Son Lit Jean de Bosschere
Modernity Exposed: Caesar Zwaska
Sandburg’s Chicago Poems
The Case of Masters
The Poet Sings to the World Ben Hecht
Splendid Isolation John Grimes
The Tree Helen Hoyt
Editorials and Announcements
Julia to Jim Sue Golden
A Vers Libre Contest
The Reader Critic
Published Monthly
15 cents a copy
MARGARET C. ANDERSON, Publisher
Montgomery Block
SAN FRANCISCO, CAL.
$1.50 a year
Entered as second-class matter at Postoffice, San Francisco, Cal.
THE LITTLE REVIEW
VOL. III
AUGUST, 1916
NO. 5
Copyright, 1916, by Margaret C. Anderson
A Real Magazine
MARGARET C. ANDERSON
I am afraid to write anything; I am ashamed.
I have been realizing the ridiculous tragedy of _The Little Review_. It
has been published for over two years without coming near its ideal.
* * * * *
The ultimate reason for life is Art. I don’t know what they mean when
they talk about art for life’s sake. You don’t make art so that you may
live; you do just the reverse of that. Life takes care of itself, rolls
on from the first push, and then falls over the edge. Art uses up all
the life it can get—and remains forever. Art for Art’s sake is merely
the sensible statement of the most self-evident fact in the world. It
has been the easy creed of charlatans; but what does that matter? It has
always been the faith of the strongest.
Well—I wanted Art in _The Little Review_. There has been a little of it,
just a very little.... It is tragic. I tell you.
And Revolution? Revolution _is_ Art. You want free people just as you
want the Venus that was modelled by the sea.... All my inadequate
stammerings about Emma Goldman have been to show her as the artist she
is: a great artist, working in her own material as a Michael Angelo
worked in his.
Public-domain text, read in full here on John Shaqi.
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