The Little Review, August 1917 (Vol. 4, No. 4)Various
General
The Little Review, August 1917 (Vol. 4, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
To begin with one of the more recent; I have already sent a longer
review of John Yeats’ letters to _Poetry_ on the ground that this
selection from them contains much valuable criticism of the art to which
that periodical is “devoted”. I again call attention to the book for its
humanism, for its author’s freedom from the disease of the age. It is
good, for America in particular, that some even-minded critic, writing
in detachment, without thought of publication, should have recorded his
meditations. There can be no supposition that he hoped to start a social
reform. Carlos Williams wrote a few years ago:
“Nowhere the subtle, everywhere the electric”. Quibblers at once began a
wrangle about the subtlety of electricity. We can not massacre the
_ergoteur_ wholesale, but we might at least learn to ignore him; to
segregate him into such camps as the “New Statesman” and the “New
Republic”; to leave him with his system of “graduated grunts” and his
critical “apparatus”, his picayune little slot-machine.
John Yeats writes as a man who has refused to be stampeded; he has not
been melted into the crowd; the “button-moulder” has not remade him. He
praises solitude now and then, but he has not withdrawn himself into a
pseudo-Thoreauian wilderness, nor attempted romantesque Borroviana. Lest
we “of this generation and decade” imagine that all things began with
us, it is well to note that a man over seventy has freed himself from
the effects of the “Great Exposition” and of Carlyle and Wordsworth and
Arnold—perhaps he never fell under the marasmus.
I have met men even older than Mr. John Yeats, men who remembered the
writings of the French eighteenth century. They had endured the drought,
and kept a former age’s richness. When I say “remembered the writings of
the French eighteenth century,” I mean that they had received the effect
of these writings as it were at first hand, they had got it out of the
air; there is a later set who took it up as a speciality, almost a
fanaticism; they are different. Then there came the bad generation; a
generation of sticks. They are what we have had to put up with.
2
James Joyce’s Novel. _The Egoist, London._ _B. W. Huebsch, New
York._
Public-domain text, read in full here on John Shaqi.
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