The Little Review, December 1915 (Vol. 2, No. 9)Various
General
The Little Review, December 1915 (Vol. 2, No. 9)
Various
Literature, Modern -- 20th century -- Periodicals
Finally it was homing time;
The seashore town was raw and desolate
And idlers flitted.
The last day Ellie came
Her calm was gone, she had been crying.
Fat people never ought to cry;
It’s awful....
The hot drops fell upon my hand
While Ellie dropped the scissors suddenly
And sniffed and blew and sobbed
In disconcerting and unreserved abandonment.
I said the usual things;
I would have patted her but for the grease,
But Ellie was not comforted.
Not until the storm was spent
And only little catching breaths were left
I got the reason.
“I’m so fat,” she gulped, “so awful, awful fat
The boys won’t look at me.”
And then it came, the stammered passionate cry:
Could I not help?
Could I not find a medicine?
We talked and talked
And when at dusk she went, a teary smile
Hovered a moment on her mouth
And in those sullen, swollen eyes
A little hope perhaps;
I did not know.
The city and its interests soon engulfed me.
A letter or two,
A doctor’s vague advice to bant and exercise,
And Ellie and her woes passed from my mind
Until, as summer dawned again,
I heard that she was dead.
A curious letter written stiffly,
From Ellie’s mother,
Told me I was invited to the funeral
“By wish of the Deceased.”
Wondering I travelled to the little town
Where the sea beat and groaned
And sorrowed endlessly,
And made my way down the steep street
To Ellie’s door.
Her mother met me in the hall
And motioned,—
“She wanted you to see her,”
Then ushered me into an awful place, the parlor—
A place of emerald plush and golden oak
Set round with pride and symmetry,
And in the midst
A black and silver coffin—
Ellie’s coffin.
Raising the lid she pointed and I looked.
Somewhere in Florence Mino da Fiesole
Has made a tomb
Where deathless beauty lies with upturned face.
Two gentle hands, palms meeting,
Touch with their pointed forefingers
A delicate chin, and over the vibrant body
Clings a white robe
Enshrouding chastely
Warm curving lines of adolescent grace.
No sleeper this,—
The figure glows, alert, awake, aware,
As if some sudden ecstacy had stolen life
And held imprisoned there
The moment of attainment
Rapt, imperishable and fair.
Even so lay Ellie,
And when from somewhere far I heard
The mother’s voice
I listened vacantly.
The woman chattered on,
“The dress you know, white chiffon, like a wedding dress—
I never knew she had it,
She must ’a made it by herself.
It’s queer it fitted perfectly
An’ her all thin like that—
She must ’a thought—”
Then black-robed relatives came streaming in
To look at Ellie.
I watched them start
And look around for explanation.
The mother pinched my arm:
“Don’t ask me anything now,” she whispered;
“Come back tonight.”
Public-domain text, read in full here on John Shaqi.
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