With our hearts like drifting suns, had we but walked As often before the April fields till star-light Silkened over with viewless gauze the darkness Under the rock, our trysting place in the wood, Where the brook turns! Had we but passed from wooing Like notes of music that run together, into winning In the inspired improvisation of love! But to put back of us as a canticle ended The rapt enchantment of the flesh, In which our souls swooned, down, down, Where time was not, nor space, nor ourselves— Annihilated in love! To leave these behind for a room with lamps; And to stand with our Secret mocking itself, And hiding itself amid flowers and mandolins, Stared at by all between salad and coffee. And to see him tremble, and feel myself Prescient, as one who signs a bond— Not flaming with gifts and pledges heaped With rosy hands over his brow. And then, O night! deliberate! unlovely! With all of our wooing blotted out by the winning In a chosen room in an hour that was known to all. Next day he sat so listless, almost cold, So strangely changed, wondering why I wept, Till a kind of sick despair and voluptuous madness Seized us to make the pact of death. A stalk of the earth sphere, Frail as star-light, Waiting to be drawn once again Into creation’s stream. But next time to be given birth Gazed at by Raphael and St. Francis Sometimes as they pass. For I am their little brother, To be known clearly face to face Through a cycle of birth hereafter run. You may know the seed and the soil; You may feel the cold rain fall. But only the earth-sphere, only heaven Knows the secret of the seed In the nuptial chamber under the soil. Throw me into the stream again, Give me another trial— Save me, Shelley! Music The Kneisel Quartet and Hofmannized Chopin ALBERT SPALDING What more felicitous combination could be desired than this: Albert Spalding playing the Mendelssohn Violin Concerto, with the Thomas Orchestra! Twice, four thousand people were warmed to genuine enthusiasm; and at both the Friday and Saturday concerts the orchestra men (whose utterly bored manner is their usual tribute) awakened and showed the strongest appreciation for the young man’s art. Frederick Stock beamed, fatherly, while he clapped his hands.