The Little Review, January-February 1916 (Vol. 2, No. 10)Various
General
The Little Review, January-February 1916 (Vol. 2, No. 10)
Various
Literature, Modern -- 20th century -- Periodicals
There is so much truth in Mr. Wright’s statements, particularly in his
negative statements, that we may disregard his fanatic credo. Who will
deny that painting has been “a bastard art—an agglomeration of
literature, religion, photography, and decoration”? Who will not approve
of the efforts of modern painters to eliminate all extraneous
considerations and make painting as pure an art as music? But why
dogmatize again and anew? Why reduce creative art to scientific
formulae, to mathematical calculations, to Procrustean standards? Why
ridicule those who paint _comme l’oiseau chante_? Why belittle Kandinsky
for his too-subjective symphonies? Why be so hard, Mr. Wright, so
finite, so sententious, so encyclical? Why not have a little sense of
humor, pray?
Gorky’s Memories
_My Childhood, by Maxim Gorky. New York: The Century Company._
That Gorky is deteriorating has become a truism. Exaggerated as the
importance of his early works has been, one could not deny their
freshness, elementary adroitness, soulfulness. But the god-fire was soon
exhausted in the none-too-deep spirit of the tramp-poet. He gave us the
few good songs he knew about the life of the has-beens, and then went
hoarse. The public, Hauptmann’s Huhn, is not irresponsible for Gorky’s
false notes. Compel the canary to imitate the nightingale and the poor
bird will lose her short, simple, pretty twitter, and rend her little
heart with shrill ejaculations. I have in mind Gorky’s later dramas and
stories.
The book before me makes me think that Gorky has come to recognize his
fallacy in attempting to treat subjects alien to his inherent capacity.
At any rate in this case he is free from pretentiousness. His childhood
memories are related simply, realistically, sans philosophizing, sans
allegorizing. It is left for the reader to deduce the “moral” from the
sordid panorama that is revealed before him, that malodorous dunghill
swarming with human beings, whose crawling and writhing is called life.
The book should have been much shorter; the super-abundance of details
makes it Dreiserian or Bennetian.
Public-domain text, read in full here on John Shaqi.
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