_Noh: A Study of the Classic Stage of Japan_ by Ernest Fenollosa
and Ezra Pound.
Ezra Pound’s _Provenca_ and _The Spirit of Romance_
Frederic Manning’s _Scenes and Portraits_
The Second number of _Blast_
Ford Madox Hueffer’s:
_Collected Poems_
_The Soul of London_
_Heart of the Country_
_Memoirs of a Young Man_
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New York City
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“Hello Huck!”
Recall that golden day when you first read “Huck Finn”? How your
mother said, “For goodness’ sake, stop laughing aloud over that
book. You sound so silly.” But you couldn’t stop laughing.
Today when you read “Huckleberry Finn” you will not laugh so
much. You will chuckle often, but you will also want to weep. The
deep humanity of it—the pathos, that you never saw, as a boy,
will appeal to you now. You were too busy laughing to notice the
limpid purity of the master’s style.
MARK TWAIN
When Mark Twain first wrote “Huckleberry Finn” this land was
swept with a gale of laughter. When he wrote “The Innocents
Abroad” even Europe laughed at it itself.
Public-domain text, read in full here on John Shaqi.
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