The Little Review, June 1914 (Vol. 1, No. 4)Various
General
The Little Review, June 1914 (Vol. 1, No. 4)
Various
Literature, Modern -- 20th century -- Periodicals
In connection with the foregoing it is curious to observe the pranks of
Marinetti's colleagues in the land of eternal contradictions--Russia.
The Russian Futurists, Ego-futurists, and Acmeists, vie with the
Italians in noisiness and eccentricity, and they have aroused an
extensive pro and con polemic. In the last issue of Russkaja Mysl there
is an interesting criticism of the Futurist poetry written by Valery
Brusov. This foremost poet, known on the continent as the Russian
Verhaeren, began his literary career some fifteen years ago with the
one-line "poem": "Oh, conceal thy pallid legs." This extremist is now
ranked by the Futurists among the reactionaries. Brusov is not hostile
to Futurism, although he opposes the contemporary bearers of its banner.
In a dialogue supposedly carried on between a Symbolist and a Futurist
Brusov makes the latter say:
Tell me, what is poetry? The art of words, is it not? In what
else does it differ from music, from painting? The poet is the
artist of words: they are for him what colors are for the painter
or marble for your sculptors. We have determined to be artists of
words, and only of words, which means to fulfill the true
vocation of the poet. You, what have you done with the word? You
have transformed it into a slave, into a hireling, to serve your
so-called ideas! You have debased the word to a subservient rôle.
All of you, the realists as well as the symbolists, have used
words just as the "Academicians" have used colors. Those
understood not that the essence of painting is in the combination
of colors and lines, and they have strived to express through
colors and lines some meager ideas absolutely useless for
commonly known. You likewise have not understood that the essence
of poetry lies in the combination of words, and you have
mutilated them by forcing them to express your thoughts borrowed
from the philosophers. The futurists are the first to proclaim
the true poetry, the free, the real freedom of words.
And so, since words have become enslaved and carry, unfortunately,
within them the ballast of established notions and conceptions, the
Futurists experiment in liberating the words of their accepted meanings
by creating new words, weird combinations of syllables, skilful
arrangements of sounds which defy translation. For the benefit of that
part of mankind which does not understand Russian the Futurists invented
a "universal tongue" which consists exclusively of single vowels. Here
is a specimen under the title Heights. I give the original letters and
their English transliteration.
Public-domain text, read in full here on John Shaqi.
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